Tag: alex ross art

An Alex Ross Art Adventure at NYCC

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ArtInsights is back and our collective feet are back to normal after a crazy four days at New York Comic-Con officially partnering with the Art of Alex Ross.  I’m sure you friends and collectors are curious how it went, aren’t you?   (well, some of you actually said you were 🙂 )

We and the folks at Alex Ross Art brought and shipped lots and lots of art, including, for the first time, original paintings and drawings offered by anyone outside Alex’s agents.  For us this was a big deal!  We had some gorgeous Spider-Man art, and some truly lovely drawings we were very excited about.  We also had the exclusive signed lithographs that featured three great images of Cap, Batman, and Doctor Strange.

Wednesday was the day we had for setting up the booth, which was ordered custom from a convention company so that it wasn’t just grid walls, which I think don’t speak to the class and quality of the art being displayed. The head honcho (HH) at Alex Ross Art suggested white carpet, (WHITE CARPET?!) which he said would make the space look bigger…which, in fact, it did! We just needed to be armed with lots of spot cleaner.  Lots of it. A vice president at Alex Ross Art (VP) who was always close by in case longtime collectors of originals stopped by or we had questions, had suggested we really needed a big banner above the space.  This is the one and only time i’ll complain about how much more expensive New York is than San Diego: Just putting up the banner costs way over a thousand dollars.  I think it took two guys about 20 minutes to put it up, and 20 minutes to take it down.  I support unions and always have, but we’re small business over here.  Work with us, people!!  Regardless of that, VP was 100% correct in needing the sign, because it was a beacon. You could see it from all over the floor, and even better, both he and HH said we needed spotlights.  I thought they meant for the art.  NO!  FOR THE BANNER!  We were right next to Midtown Comics, and they had a banner without a spotlight on it.  What a difference.  It pretty much glowed 🙂

What took the longest on Wednesday was Michael (MB) methodically putting security hangers on the valuable art, and the art being displayed on the outside walls of our booth.  Those pieces were brilliantly placed, because you could see them from across the hall.  One side had all Beatles, and the other side had four pieces from the Shadows collection, which has a gorgeous Wonder Woman.  The security hangers worked.  Halfway through the con someone tried to steal her, which I could tell by the certain way the wall was shaking.  I calmly peeked around and saw a guy trying to wrestle her off the wall.  Wonder Woman was having none of it.  HURRAY FOR SECURITY HANGERS!  After hanging and dressing the booth, we left late Wednesday night and went out to a local Italian restaurant around the corner from our hotel.

We thought Thursday was going to be the slow day, since it hadn’t sold out in single tickets until the last few days before the con.  We were SO WRONG.  It was nuts.  In retrospect that makes sense, because lots of people with 4 day passes came to our booth first to stake their claim on the art they wanted.  We almost completely sold out of the Batman signed edition, and about half of the limited editions we had brought, which were all highly sought-after #1s in the editions.  It took us most of the day to get more organized, and one of my friends who came to help us, who was an organization savant (OS), somehow made the space look great and run like a well oiled machine by the second day.  Another friend, who is the ultimate Southern gentleman (SG), was out greeting fans and handing out brochures about Alex’s work.  By the second day, everyone knew every piece and could speak fluently about his career and which pieces were best for which collectors.

I had to learn the hard way that people from around New York expect to negotiate (I don’t negotiate, generally) so after only a few people tried to get discounts, I steeled myself for some people to walk away in a huff, which only one person did.

We had several friends helping us, and gratefully we were staying within walking distance.  To anyone who will ever work the NYCC in the future, i’d say this is essential.  There were so many people in our booth and so much action, we actually got “Con-brain”, which is a phenomenon I believe could be researched that is the result of a brain too stimulated to continue functioning properly.  Normally this only happens from walking around a convention floor with the mass of people in cosplay whilst being assaulted and surrounded by thousands of sounds and sights.  I guess if enough people come into your booth, after 5 or 6 hours, “Con-brain” may have to be factored into how you operate.

For example, you have to make sure you don’t put your phone or wallet down while shopping for food or ordering dinner somewhere.   

We mostly just went back to our hotel and hung out together and I made dinner for our crew and we ate together at the hotel.  The last thing any of us wanted to do was be around people are walk on our very confused and swollen feet!  I brought a bunch of great wine and we had some fun before going to bed early every night.  This meant visiting a great little neighborhood store I liked to call “the grocery labyrinth” that was like walking through the maze in The Shining.

Right here is where i’ll say the Alex Ross fans are the best.  That’s saying something, since I am involved with art from a variety of fandoms.  Star Wars, Harry Potter, and as many fandoms as there are movies from the Disney studios, and then some, including character specific fandoms for Mickey Mouse, Scooby-Doo, and Bugs Bunny. It is a bit of apples and oranges, because in the case of Alex Ross, the fans are responding to an artist instead of a property.  Having fans get excited about an production artist working in popular culture was like catnip! I overheard a number of people as they brought friends and family to the booth to introduce them to their favorite artist, or the artist that inspired them to draw, or the artist of their favorite comic book.  I’ve been told so many times to read Kingdom Come and Crisis on Infinite Earths I actually had to promise to do so!

For those of you curious, the people who come to NYCC have much better hygiene.  Every day the attendees smelled fresh and delightful.

We had a bunch of expressions that took a life of their own through the weekend.  Two of my favorites were:

“Jack! I’ll love you forever!” = a guy we met who bought some art with his equally awesome mom went and stood in line for what must have been at least half an hour just to get me a Diet Coke.

“I am not Alex Ross.” = Michael, who was processing the purchases, was mistaken for Alex Ross all weekend.  They look nothing alike, but Alex so rarely goes to conventions, they just assumed it was him.  We think we should get t-shirts made saying “I’m not Alex Ross” printed on them.

“Alex is a traditional illustrator in a digital world.” = this was the answer as to why Alex doesn’t do conventions anymore.  It’s actually true, in that he still has to make deadlines creating hand-drawn art.  For the most part, he can’t click corrections…So he spends most of his waking hours every day painting. Surprisingly, people actually understood!

All in all, we did really well and were very pleased with our success.  We got back to the Washington area at 4 am, dropped off all the original art at the gallery, and got to bed after having dinner at a time when most people were getting up for work.

We still have some original art and limited editions at the gallery, for those of you who want to visit.  We pulled some exclusives so that our own longtime clients would have a chance to buy something, and we also were lucky enough to be given a collection of cover art and graphite concepts we are allowed to sell.  Huzzah!

Stay tuned for what we might do next with both the art of Alex Ross and other artists and art we find exciting. Thanks again for all those who supported us at the con, our new collectors, and especially OS and SG, who came with us and helped.  You all did the near impossible, you made working NYCC fun!

Leslie for ArtInsights.

NYCC 2016! ArtInsights is partnering with Alex Ross Art at New York Comic-Con! We have exclusives and world premieres:

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We are really excited to be partnering with Alex Ross Art at New York Comic-Con! We’ll be there at booth 2328 from October 6th to Sunday the 9th.  If you have tickets, come see us.  If you don’t, they still have tickets for Thursday HERE.  The rest of the weekend is sold out.  We posted about our exclusives HERE.   We also have two new pieces being premiered there, which include the wonderful GUARDIANS OF THE GALAXY image which you can read all about and order HERE.  …and there’s the exclusive premiere of CRISIS!

crisis-limited-edition

An image fans have been begging for for years, and we’re happy to bring it to you at NYCC!!  The information on that is HERE  Watch this blog, the front page of our website, and our Facebook page for the big reveal!

It was very exciting to be part of the decision of what the pieces would be, given the fact that having an exclusive at New York Comic-Con is such a big deal, but the folks at Alex Ross Art really wanted us to be a part of it all.  The Guardians of the Galaxy art being premiered is representative of one of my very favorite Marvel movies, and is the first time a production artist and production art of that series is being recreated as a limited edition.  The Crisis image is a HUGE deal to DC fans, so we are psyched! I want it myself <3

We are offering up the two exclusives at only one hour past the release at NYCC, so those of you who can’t make it or hate crowds or live far away can take advantage of the release and get a great low number if you go online on Thursday at 11:00 Eastern Standard Time.  We’ll take the orders as they come in, so as soon as you buy, we set the lowest number aside 🙂

They also gave us #1 in almost every edition they have created to date, which is wonderful for fans who love to get that special number.  It is usually kept in the archives but they really wanted to make a big splash at this convention, so they pulled out all the stops.  So glad we will be there as part of the fun!

PERSONAL NOTES ON THE ART:

As to the exclusives, I’ll tell you why I was particularly pleased with being able to have the images we’ll have in particular.  The Captain America image is super dramatic and as friends of mine know, he and Thor are my favorite Marvel characters, and always have been.  The Batman piece is great because, as silly as this sounds,rossbatmanexclusive I love when Batman actually looks like a bat, because bats, along with hummingbirds, are my favorite creatures in all the world. 

The Doctor Strange, although it has the smallest edition size, is my favorite of the three exclusives, because i’m really excited for the new movie and love all the trippy aspects of his storyline and the continuing journey from dark to light and back his character takes….and Benedict Cumberbatch. 

Doctor-Strange-NYCC-2016-Exclusive-Alex-RossI had to do research about Stephen Strange as part of representing the art and WOAH.  He has a seriously dark past with lots of loss.  I’m very intrigued to see the movie!  The character is very different from any others up till now, and there’s a spiritual element along with the archetypal Joseph Campbell-type stuff in it that makes me such a Star Wars fan.

We’ll be gone while we’re in NYC and the gallery will be closed for those days, but you all can email me with questions or concerns, or to see if we’ll have any of the exclusives left.

Wish us luck, and the right kind of Con-craziness!

Best to you all (and stay STRANGE)

Leslie at ArtInsights

In Mortal Combat

The NEW Alex Ross Art Collection: How Alex Ross and his team created an art program with Marvel, DC, Beatles, and more!

Lots has been happening in the world of the superhero, and now is the perfect time to update fans of superhero art! Have you seen Captain America: Civil War yet? Well, surprisingly timely is the roll-out of the new Alex Ross art collection, and it’s just getting started.  We are happy to be part of their team of galleries, and one of only three with the first assortment actually physically in the gallery, so you can get your eyes on the art.

You may be wondering what all the fuss is about, since Alex Ross art has been available to fans since the days of the Warner Brothers stores.  Don’t worry, I’m here to explain it to you.

Those of you who have been following the career of Alex Ross, who of late has had exhibits in the likes of the Warhol and Rockwell museums, and has been placed in national museums around the world, know that Ross has been one of the very few comic book and pop culture illustrators to help break that art into the “real art” world.  This is actually a big deal, especially for those who believe the work by the creators of comic books deserve artistic recognition like me.

The story behind how Ross and his own team started a new art program is pretty innocuous.  Apparently he just wanted control of his own artistic destiny, and they figured now is the time. 

The company that first sold his art was Clampett Studio, which is run by people who basically made him famous through his exposure in the Warner Brothers stores.  In fact, Clampett Studio, and the artists they represent, should absolutely be on your radar and here’s why: Clampett Studio, which is run by Ruth Clampett, the daughter of famed Warner Brothers animator Bob Clampett, is the one company that sells art of the comic books, cartoons, and film that only sells art created by artists who actually work on the movies.  THEY ARE THE ONLY ONE.  and what’s more, they support the artists.  Once someone works with them, they never look back.  If you love the art of Alex Ross, you partially have Ruth Clampett and those who work with her to thank.

As i mentioned, she still has art by Alex Ross available, but those signed by him are selling out fast.  We can access and sell you anything on her website, and I urge you to support her artists and collections.  Jim Lee is still part of her assortment, for example, as is all the OFFICIAL art of Harry Potter.  You can dive into the Alex Ross works available HERE.

For all the assortments on Clampett Studio, go HERE.

So, back to this new Alex Ross collection….they decided to take the reigns back and start their own art program.  Normally, Warner Brothers wouldn’t let an artist make a decision like that, but this is Alex Ross.  Now that they’ve taken the art program in-house, and with a big splash in Los Vegas with a release of Beatles art, they are forging forward.

The person in charge of their art program is an old friend, and I am absolutely 100% behind her and the Alex Ross Art program, because she always knows how to build a great collection, limit releases, and consider the collector. She is a fan, and a fan who knows the business is the best person in the world to create a lasting collection of art.

Now might be a good time for full disclosure. I haven’t always loved all of Ross’s work.  I think some of it looks very frenetic, and too full of color.  Yet, somehow, the new work has a calmness, a grace to it, that rises above much of the art i’ve seen before.  For example, limiting the color palate in this collection of four images and making them a series that visually complements each other was brilliant.  Also, the painting of Wonder Woman is, to my mind, one of the best pieces he’s ever done.  The crazy thing is, it’s in an edition of only 50.  I assume it’s because they want their first pieces to blow through and succeed with a sell out.  YES!

Shadows: Wonder Woman

What does all this mean for you?  It means great art, well curated, considered, and controlled.  The first release was impressive onscreen, but when it came in, I was gobsmacked. ESPECIALLY the Wonder Woman and the Captain America v Iron Man.  If you’re in the area, come in and see the art.  Also, I forgot to mention there are several pieces that are only $150, and on canvas, representing both DC and Marvel.  I am sorely tempted to buy some of it myself!

Liberty and Justice: JLA

All New All Different Avengers

Lastly, although it’s likely you won’t have access, we WILL be getting some originals by Alex to sell.  While you can get art directly from his company, they will be releasing special production graphites that won’t be available through them that you can get from the galleries.  Not only is this a great sign they are committed to the galleries, it also means we can get wonderful original art for his fans!

I hope you’ll come by if you live in the area, but if you don’t, I still hope you’ll peruse the art on Clampett Studios, and on our own site created by Alex Ross and buy from us.  The museum exhibits coming up and the work he’s doing with both Marvel and DC speak to Ross’s expanding fame and success, and if you love comic books, his work is a great way to bring it into your home and celebrate your love of all things superhero! Also, he is one of the only artists who can create the art of the Beatles.  Here’s the piece that’s both a limited edition, and very inexpensive:

Fab Four Yellow Submarine Mini Canvas by Alex Ross

Meanwhile, contact ArtInsights if you have any questions, or are looking for particular characters.  We’d also love to hear from you about what you thought of CAPTAIN AMERICA: CIVIL WAR.  To get you all the more excited, here’s Cinema Siren’s review, which includes interviews with both Chris Evans and Robert Downey Jr.

AND if you want to see all the new Alex Ross art for sale at the gallery, go HERE!

Thanks and until next time, LET’S GO, CAP!

Leslie, for ArtInsights

spotlight on jim lee

Batman v Superman – The Official Art of DC: The Art of Jim Lee

THE ART OF JIM LEE

In deciding to have a Batman v Superman art show with the official art of DC, several things were at play.  As Cinema Siren, the film critic, I am inundated with press info and notes and EPK (electronic press kit) about the upcoming movie, which is being released late March (as many fans know!), but I also have a pretty longstanding history with Zack Snyder, because I interviewed him years ago, went for a nature walk with him, and talked Joseph Campbell, womanpower, and the love of classic movies with him.  This was way before he got tapped to do any superhero movies, and I can tell you, whatever you opinion of him as a director, as a guy, he’s pretty down to earth and quite fabulous.  So while I have to watch the movie with an unjaundiced and unbiased eye, I can promote the theory of all things Batman, Superman, and Wonder Woman all I want, because like they say about parties and crying, it’s my gallery and i’ll pimp DC if I want to!

It’s been a while since Warner Brothers gave over the rights to selling their DC images to my friend Ruth. She used to work for them directly, helped start up and run the Warner Brothers stores, and then for all the galleries around the world became the one and only source for the official art of DC.

What I’ve always loved about Ruth and Clampett Studio Collections is Ruth has always felt strongly about keeping the artists representing DC, along with any other WB properties she represents, as artists who actually have a hand in the making of the shows and movies. As such, the art of Jim Lee was essential to the collection.

Jim Lee is a Korean American comic book artist, writer, editor, and publisher. He started out his adult career plans with begrudgingly working towards becoming a medical doctor at Princeton, as his family wished, but he had always loved comics. His high school classmates even predicted in his senior yearbook he would found his own comic book company.

During college he took an art class and started reading comics again, and that got him excited enough he committed himself to one year’s try at being a professional comic book artist. When Archie Goodwin of Marvel invited him to work for them, he embarked on a career that led to multiple awards, building an enthusiastic and loyal fanbase, starting his own comic imprint, and ultimately becoming the co-publisher of DC. He is in the Guinness World Records for creating the best-selling comic book of all time.

In my research for writing about Jim Lee, I discovered he has had nine children with his wife Carla. How on Goddess’s green earth does he have any time to do anything? I have to say one of the most impressive things about Jim, given the many balls he has in the air at any given moment, is that when fans are talking to him, they really feel he’s listening and paying attention to them. He’s always been one of the best artists to meet at any con for that reason and because he seems to embody the joy of being an artist in every inch of his being. He is also an inspiration to anyone who wants to be a successful artist, because as an artist he worked his way up to being at the top of one of the biggest comic book companies in the world.

There are some very choice limited editions available signed by Jim Lee in our show. I would never have an exhibit and sale of DC art without his work.

Here are some of my favorites:Batman Over San Prospero

BATMAN OVER SAN PROSPERO:
This piece was inspired by the Modena landscape in Italy, a country that is dear to Jim’s heart. He spends time there every year. This image was featured in “Jim Lee Millennium Edition,” a compilation of images from Jim Lee’s career.

 

FOR TOMORROW: 

For Tomorrow

This image was used for a cover to the Superman Adventures series. I love Superman. I think you’re either a lover or a hater. I just found out recently that Superman didn’t start out flying. It was only later that they wrote in that he could, even though now it’s one of his most recognizable powers.

There was a great interview with the writer of a book called “Superman: The High-Flying History of America’s Most Enduring Hero” and I learned lots about the character that someone who doesn’t read every comic would find fascinating. I also didn’t know he was originally “The Man of Tomorrow”…so I guess this art comes by its title honestly!

Also, the really great editor at DC who has lots to do with what happens to and with Superman, Mike Carlin, recommends SUPERMAN LIVES, an audio CD. BUY IT THIS SECOND! (and you can buy some of our art as well, but yes. Superman on CD? OH YESSS!)

KISSING THE NIGHT:

Kissing the Knight

This is a great piece to me because when I met and hung out with Jim, he drew me a great little Catwoman, where she is holding a Batman toy and saying MEOW. I thought this piece was super hot, and love the color of it, and the composition. I also love that it’s on t-shirts and mugs and such, and yet it’s actually possible to have a limited edition of it signed by Jim Lee, and they never add any numbers to a sold-out edition, so the fact that it’s $425 and there are only 250 of them is a bit mind boggling to an art gallery geek like me. The image appeared first in the Batman comic “In the Mouth of Madness.”

TRINITY:

Trinity

Last but not least of my favorites, this giclee on canvas has only 100 pieces, and it’s so badass of all the art by Jim Lee i’d want this one. For better or worse, my eyes go immediately to Wonder Woman and stay there. I love that she looks without question that she can hold her own with the other two heroes, although I haven’t read the Trinity series…This piece was the cornerstone of our show, because it so captures the anticipation of the Batman v Superman feature film coming soon to theaters.

While I prefer Wonder Woman from the World War II era, I’ll make an exception for Jim’s work. For more information and the history of Wonder Woman CLICK HERE.

We hope to see you at ArtInsights you soon so we can geek out together about these superheroes, or so you can correct one or all of us about something they did, said, or wore 😉

Leslie
ArtInsights