With all the Father’s Day gift guides out there, I thought it was time to create a Father’s Day gift guide specific to animation and film. Dads love movies and cartoons, so we’ve curated a collection of fun images of superlative cartoon dads and great characters the whole family will love.
Pulling those images together got me thinking about some of my favorite dads in cartoon and film. Some are decidedly dysfunctional, while others set the bar very, very high. Not all are dads in DNA, but all help shape those in their care, for better or worse. Let’s get to it, shall we?
Bob Parr aka Mr. Incredible
In the Operation Kronos database, Mr. Incredible is given the threat rating of 9.1, the highest of all the supers, but that doesn’t mean he isn’t a beleaguered dad just trying to get through the day without one of his kids burning the house down or another disappearing into an existential crisis from which there is no recovery. He shows great respect for his wife and partner Helen, stepping up when she gets chosen as the face of the superhero legalization campaign. Bob is voiced by Craig T Nelson, who has played a number of classic dads in film and TV, including Steve Freeling in 1982’s Poltergeist and Zeek Braverman in the small screen version of Parenthood.
Goofy and Pluto
In various spots on the internet (including official Disney sites!) it says Goofy is the only one of the fab five, which includes Mickey Mouse, Minnie Mouse, Donald Duck, Goofy, and Pluto, to have a son, but that’s not true. Pluto and Fifi have puppies in 1937’s Pluto’s Quin-puplets. This very sweet and pup-tastic short shows a dad who isn’t quite up to the task of watching his little ones, but what parent with 5 babies wouldn’t find wrangling them a challenge?
Goofy, on the other hand, has a long and storied relationship with his son Max, who first appeared as ‘Goofy Jr’ in 1952 in Fathers are People. Imagine one of those ‘How To’ shorts like How to Ski or How to Have an Accident at Work that starred Goofy, but call it ‘How to Father’. It’s a spoof on the many classic live action shorts that capture life in the 50s. They couldn’t seem to decide on the name for Goofy’s son, calling him George in 1953’s Father’s Day Off (This short is the one time Jr/George/Max is voiced by voice artist extraordinaire June Foray). Max finally became a permanent name for Goofy’s son in Goof Troop. Max has his dad’s laugh and is as often as accident prone as Goofy. What’s special about Goofy’s fatherhood is we see an arc in which he and Max deal with father/son issues and grow from them.
Bruce Wayne appears to have been a busy guy in terms of building family, and it’s no wonder after the losses of his childhood. Is he a great role model? Probably not, but he definitely has a strong work ethic, and even as a vigilante he does have an unbendable moral code. What skills as a father he does possess are probably from Alfred, who is not only his butler, but a genius and father figure. There’s a long list of adopted kids in Wayne’s history. First is Dick Grayson, aka Nightwing, who arguably surpassed his mentor/adopted father in skill and positive public perception. Jason Todd, aka Robin and Red Hood, became Wayne’s second son after he met the street kid trying to steal the tires off the Batmobile, but their relationship is complicated. Tim Drake, aka Red Robin, is also adopted by Wayne, after Jason Todd is killed (but before Todd is resurrected. Ahh, comics…). Wayne also has several biological children, including Damian Wayne aka Robin, and Helena Wayne, who is the daughter of Bruce Wayne and Selena Kyle (aka Catwoman). Whether or not Batman is a great dad, he certainly tried to show acceptance and love of a sort to many a lost child. As to whether all things Batman are great as Father’s Day presents, that depends on the dad in question. Most fathers I know would love anything from a Batman c, to a coffee cup, to the original Batmobile, which sold in 2013 for 4.2 million.
Probably the best of all cartoon dads, Mufasa (which means king in Swahili) is king of Pride Rock, and loves his son with all his lion-heart. He has a great relationship with his son Simba, teaching him how to be respectful of all things, show courage, and understand the circle of life. He also sacrifices himself to save his son. His appearance as spirit is inspirational to those who believe their lost loved ones are looking over them. It’s interesting to note that James Earl Jones, the voice of Mufasa in both the animated feature and the live-action film, also has one son, Flynn Earl Jones, who has followed in his father’s footsteps as a voice artist. You can find some of his work on Audible.
Yoda and Obi Wan Kenobi
Perhaps you thought I was going to choose Darth Vader. Vader really is one of the most famous fathers in film history, and probably the best of parental cautionary tales, but I’m going another direction. I submit that Yoda and Obi Wan are better and stronger father figures to Luke, teaching him self-reliance, strength of character, courage, and the power of the force. Luke was lucky to have two masters of the force as mentors, and not all those who inspire are parents. If we could only learn and live by Yoda’s words, ‘there is no try’, the world would be better off.
Finally, my very favorite animated dads are from Finding Nemo. Crush watches over his baby boy, Squirt, but also chooses to help even random strangers, as he does with Nemo and his dad Marlin. Teacher, Australian current surfer, and all around rad dude, the 150 year old green sea turtle is all about doing good and bringing joy. That might explain why he’s voiced by Finding Nemo’s writer/director Andrew Staunton. Marlin, as neurotic, pessimistic, and overprotective a clownfish as he is, is still a great dad. His love for his son sparks a fearlessness and determination that leads to powerful change in himself, and also leads the way to his lost son. Marlin and Crush are polar opposites showing all kinds of dudes can be wonderful parents to their sons and daughters.
Many of our great friends who also happen to be clients have been supporting ArtInsights gallery since last March when the Covid Pandemic effectively shut down the country (or it certainly should have..), and it’s not just heartwarming but an honor for that to be the case, but we’ve been asked many times by them, by folks online, and by friends how ArtInsights and how Michael and I are faring in what must be the worst time for small business since The Great Depression. That’s almost 100 years. Bummer for us to be part of this time in the economy, but since we’ve been in small business for over 30 years, we can’t be completely shocked. The short answer is that we’re hanging in there and doing ok up to this point, and that’s not a little because of our loyal clients, old and new. I thought I’d share our experience, and how we’ve found new clients at a time when so few are spending money at brick and mortar small businesses.
First, I’ll say something I’ve said many times to friends and clients. Very very few people get into owning and running an art gallery expecting to make a living at it. Even in the world of animation (and I’d say film art, but there are so few of us out there, there’s nothing to compare us to) nearly all the galleries are owned by people who don’t need to make money. Mostly it’s something people who don’t have to work and come from a trust fund or a family with money do because it seems like fun, or charming…or maybe a place to drink wine and chat? We are not those people. We can’t really afford to make many mistakes, at least not big ones. For example, the one time I misunderstood how advertising on YouTube worked and spent $800 in one week, I barely slept for days. (Lesson learned there!) Our time is our currency, and that’s what we spend instead of a big budget for advertising and marketing. We’ve had to learn how to do things ourselves. That includes what art we offer here in the gallery.
Our focus has been film art and animation for the 25+ years we’ve been in Reston Town Center. We have had to, during that time, shift and change with what we see in the marketplace. Here are a few examples:
We noticed about 20 years ago there was a lot of restored animation art showing up at auction, so we started trying to only represent production art that was in original condition.
When Disney kept switching the companies they had representing their art, stopped selling production art, and started only selling ‘Interpretive Disney Art’, we started focusing on the artists that actually worked for Disney, rather than those randomly chosen for their style. We have amplified Michelle St. Laurent (art directed for Disney production designer at the theme parks) , Tim Rogerson (graphic designer for the theme parks), Toby Bluth (art director for The Tigger Movie, etc), Lorelay Bove (visual development/concept artist at Pixar), Peter and Harrison Ellenshaw (Oscar winning matte background painter and special effects artists, respectively), James Coleman (background artist for many Disney films, including The Little Mermaid) Jim Salvati (concept artists for multiple studios), Bill Silvers (concept and background artist for multiple studios, worked on Lilo & Stitch & a bunch of other Disney movies) and John Alvin (movie poster artist who worked on over 250 posters, created Lion King, The Little Mermaid, & Aladdin posters for Disney).
When artists who had spent a large part of their careers at Hanna Barbera and Warner Brothers started selling their art, we started commissioning art from them, (other galleries followed suit, but imitation is the sincerest form of flattery, and more commissions mean more money for these wonderful people!), so we have exclusive art by Bob Singer and Willie Ito.
When artists went out on their own or approached Disney directly to sell their art, we found ways to amplify and represent their work, leading to exclusive art from them, so we have art from Bill Silvers you can only get at ArtInsights.
When auctions started selling more and more animation art that had been restored, we carried less animation art, but focused on more exclusive, rarer images like key set-ups and concept art.
We saw that Warner Brothers, Disney, and Hanna Barbera limited editions were being overproduced, so we limited our inventory of them, guiding our clients to original art and only the most iconic limited editions, and only when the price was right.
We’ve had a good internet presence since the beginning of our business. Let me tell you, that’s been interesting. Anyone who had to have a good website that represents original art but couldn’t spend $10,000 on creating it had quite a time in the 1990s. What that meant was doing a lot of blogging and a lot of updating ourselves. We’ve also had about 10 completely new websites over the years. That got us used to adding inventory and writing about animation and film art. You know that website Marvel designed as a cool way to center the story in 1994? Our website looked almost exactly like that:
It’s the fact that we always focused as much on our website and selling online as we did in the brick and mortar store that has, in part, saved us during the pandemic. We literally see nearly no one that isn’t a longterm client or ours, or someone who has searched us out online right now in the gallery. (at the moment, I’m quite glad of that, because I don’t want some random, vaguely interested lookie-loo giving me and mine Covid)
We have had to use Facebook, twitter, and Instagram (free, not paid) to get our message out as well. That worked better before they made it impossible for anyone to see posts without paying for them. Occasionally we still make a sale through social media, but it’s not usually from someone just seeing a post. It’s mostly from being part of secret groups. Facebook and all the other social media sites should have offered free advertising and marketing to small businesses during the pandemic. They said they were going to, but I never saw any proof that it actually happened…this has been a problem for small businesses since 2016, when political pages and advertising took over Facebook et al.
So, how have we found ways to be ok through Covid in 2020? It really started with my ability to write (see my work on: TheCredits, and The Alliance of Women Film Journalists) and my concern for other folks who were FREAKING out about their loved ones or themselves dying of a horrible virus. Early in the pandemic, we shut the gallery to in-person visits. I tried to think what I could do to help people feel better, and how I could help artists and wholesale companies I wanted to support. Since I’ve been in the animation and film art business for longer than most folks, I figured I could write about what I knew, and I could interview artists and figures in animation that might distract and entertain. I talked to Bob Singer, (and got exclusive original Hanna Barbera art directly from him) Talked to Don Cameron about his work on Batman: The Animated Series
As to my dear friend John Alvin, I wrote about his work on Hook, in part because *MIRACLE of MIRACLES!* Andrea Alvin found 5 copies of a production used image from the film used for the opening sequence from the film. We sold them all as a result of the blog, but you can always check with me to see if she finds any others.
Andrea Alvin’s closets are like the door to Narnia. She keeps finding things and calling me with exciting news. I keep hoping she’ll discover more production art used for Blade Runner or some such, but that’s just a dream I have (that also includes electric sheep..).
I also wrote a blog about the art from Cats Don’t Dance, from which we found two original backgrounds. John Alvin did the movie poster for that movie. I had no idea there was such an obsessive fanbase for art and information from Cats Don’t Dance. I had never watched it, and once I did, I had a better idea why so many people love it, especially dancers.
I had a wonderful chat with Ruth Clampett, the daughter of Bob Clampett, about Bob’s tv show Beanie and Cecil, and got some exclusive art from the original cartoon. That blog was a big hit, and we sold most of the art we got from the Clampett estate because of it. I can tell you Beany & Cecil fans are the best! After all these years, they still just love those quirky characters!
Sopwith Productions, the company that sells all the art from the Bill Melendez Studios, is my absolute favorite wholesale company. They are always willing to connect me with animators and artists for interviews, and that makes me, and the Charlie Brown TV animated specials and Peanuts art collectors so happy!
It was through them that I got the art from the MetLife commercial featuring all the Peanuts characters together as an orchestra. They are some of the most beautiful cels I’ve ever seen, and since Snoopy is my favorite character and I grew up watching Charlie Brown cartoons, I loved learning about why these cels are so gorgeous. Bill Melendez got paid the same amount for a 15-30 second commercial as he did for making a 30 minute Peanuts cartoon special! I talk about this in my Beethoven’s 250th Birthday Peanuts animation blog.
Early on, I included something called the “COVID COMFORT CARTOON” or “COVID COMFORT CLIP” at the end of every blog, which was just a clip relating to a cartoon or film mentioned. It was fun finding something appropriate. I think my favorite was the one with the Hex Girls, a fictitious band first featured in Scooby Doo! and the Witch’s Ghost. In the late 90s when the band was introduced, it became a cult favorite for kids first exploring their sexuality, because there’s some androgyny and queerness afoot there, something you didn’t see in cartoons at the time.
I found that sometimes the links I added went bad, depending on who uploaded it in the first place, so I got choosier and more specific about what I included in the blogs. I have also always included some Covid Comfort in my newsletters, which started out weekly at the beginning of the pandemic, and have been shifted to bi-weekly (because the blogs take so much time to research and because I’m often adding a lot of art to the site before each newsletter…)
One of the other things ArtInsights has been doing through the Covid pandemic is incorporating charity connections in much of our sales. Early on, we gave 10% of all sales of anything hero-related to charities helping get PPE and safety support for frontline workers. We also started donating 10% of all sales of Harry Potter art to the National Center for Transgender Equality. That commitment will continue until we have sold all Harry Potter art currently in stock, and we won’t be ordering any more after we sell them through. We feel too strongly about supporting our trans brothers and sister to put any more money into JKR’s pockets, even as we still hold Harry Potter dear to our hearts and always will.
I’m sure you have seen our posts and promos about a partnership with our friend Julie, who makes masks over on Etsy at Joyful Creations by J. For folks who have been able to come by the gallery, you could and still can buy masks at the store, but all the money goes to Julie, who worked at a job that was too dangerous for her, being in a high-risk family, and now makes masks and creates clothing through her Etsy store. We started doing that in March, back when more folks were mask-adverse. (Gratefully most sane folks are wearing them now.)
All these blogs, COVID COMFORT CARTOONS, working with Julie, connecting with charity, having exclusive art you can only get through my gallery and posting about all of it on social media led way way more folks to find us online, which led to more clients and more sales.
Is it more work? Yes. It is way more work. Michael and I have never been afraid of work. If you’re someone who is in small business, especially with ArtInsights, an art gallery that has to make enough money to support a family, you can’t be afraid of hard work and long hours. But I also believe we have been succeeding because I started out the pandemic just wanting to soothe and comfort our friends and clients and anyone else who might find us. I also wanted the gallery’s success to extend to artists and companies we know and love. Never let anyone tell you that doing well and doing good can’t go hand in hand.
What do I think 2021 will bring to ArtInsights? I honestly have no idea. I hope I can find more interesting things to write about that relate to the art we sell and the artists we love and want to support. I know we’ll have a very low profile in terms of the physical gallery until the current virulent and terrifying wave of the virus is quelled. We’ll be focused online, where we can all gather and interact safely. Does it sting a little we are paying so much to be in a nice center when we aren’t many clients? Maybe a bit. But its also lovely that we are in an outside mall, where shoppers feel safer, and lovelier still that we can control our retail environment so that those who ARE high risk feel safe coming for a physical visit. We will be there, masked up, door open for ventilation, pens and door knobs wiped down, just like I’d want it in my favorite stores.
At ArtInsights, we feel incredibly grateful with all the small businesses closing down that we have, so far, found a way to survive. Hopefully our way will continue to keep us open, safe, and stable until we all see better days. With clients like you, we stand a very good chance.
What can you do to help? You can buy some art from our gallery! One of the ways we’ve stayed viable and on the radar of collectors is that we have so much art you can’t get anywhere else. From Bill Silvers artist proofs, to limited edition and original art by John Alvin, to exclusive collections of original art featuring Charlie Brown, Snoopy, and friends, we have some special pieces that you won’t see anywhere else.
Please go through our website and find some treasures for you family and/or to liven up the living space you’ll be working in and experiencing for the near future. Click here to see our latest acquisitions.
Thanks to all of you, old clients, new clients, potential clients…you are why we are still here and why we will be here in the future. You are the only reason, really. THANKS.
In the tradition of 2020/2021, I’ll end this blog with Covid Comfort Clips: Seems like a great idea to show the trailers to 3 great animated features released this year, all of which deserve at the very least to be nominated for an Oscar:
John Alvin did art for the campaign to promote the wonderful, timeless HBO mini-series Band of Brothers, which won 6 Emmys. I thought on the anniversary of the attack on Pearl Harbor, I’d examine the story behind John Alvin creating Band of Brothers campaign art and find out more about the process, and the general fascination with World War II history I recall John having and discussing with me on a regular basis.
I remember John Alvin and I talking many times about World War II.He never mentioned his personal history, or how he was connected to it.I told him some of the stories about my family, which he found very compelling.My grandmother Colette had been working in London when France fell and Charles de Gaulle made his speech about the importance of everyone doing what they could do in the war effort.She was working directly under Rene Pleven, as part of de Gaulle’s Free French Forces.She went to de Gaulle and asked him how she could help, and he told her he needed her in New York.She had grown up in New York, spoke both French and English, and knew many important people in the US who could help, so he sent her there to organize relief for the Free French.
My dad, who was only 5 or 6 at the time, had to come from Paris to Vichy, France, to North Africa and onward to New York to reunite with her while she was doing her work for de Gaulle. My dad told me during that time he saw a man get kicked down a long flight of stairs in the subway by a German officer, cracking his head open. He remembers it vividly to this day. He doesn’t remember Pearl Harbor, because in France, they were already deeply into the war.
John was fascinated. He never told me his story himself.
When he spoke to me, it was about that book and that series, and how great he thought it was.I, too, fell under its spell, especially as so many great actors took part.I’d been a fan of Tom Hanks since Mazes and Monsters. His second collaboration with Steven Spielberg, the Emmy Award-winning miniseries was about “Easy” Company, a parachute infantry regiment. It made Damien Lewis famous in the US, (a gift that keeps on giving..) and was at the time the most expensive TV miniseries ever made by a network. The first episode premiered on September 9th, 2001, two days before the September 11th attack.
I just spoke to Andrea Alvin about why she thought he was so connected to his work on Band of Brothers. As you’ll see, John Alvin’s connection to the subject ran deep.His father, Albert Alvin, had been a career military man.He was a captain in the Army, and spent World War II as a military intelligence officer stationed in Italy, because he spoke fluent Italian.His mother Rena had been an Army nurse and followed Patton’s troops.She was at the Battle of the Bulge, where she worked right behind the front lines caring for the injured from all forces; American, German…anyone who needed urgent medical intervention. The battle lasted from December 16th, 1944 to January 25th, 1945.For the rest of her life, she would get weepy every year around Christmas remembering the horrors of that traumatic experience.
Also, as a young child, John Alvin lived for about four years in Germany.His father was part of the occupational army helping rebuild Germany*.When John was 4 or 5, his dad took him to an abandoned Messerschmitt factory.It was like a graveyard of airplanes.He was allowed to climb on and in the planes.It made a huge impression on him, and Andrea counts that experience as one of the main reasons he was so obsessed with building models.
The art John Alvin created for the Band of Brothers campaign, though not ultimately used, has an emotional quality and visual authenticity derived from his love of history, interest in research, and his personal connection to that time. The color images look like they are done in pastel, but John never worked in pastel.He worked on pastel paper, and used Prisma color pencils and freehand airbrush to get the effect of pastels.Though not sure, Andrea thinks John may have also used some actual pictures of his father as reference.
Whatever his inspiration, he captured the bravery, and the intensity of focus and commitment the men of Easy Company must have maintained as they struggled through the terrifying experience of surviving war.On the anniversary of the attack on Pearl Harbor, we think of all those men and women who gave their lives or lost their optimism and their innocence, and who fought bravely to keep this country safe.
We also remember that standing up for those being endangered around the world, as well as on our own shores, is the true mark of patriotism.
Star Wars: Visions was released on its own, and in a deluxe edition with five hand-signed giclees.They include art by Alex Ross, Moebius, Donato Giancola, Daniel Greene, and Jamie Wyeth. The deluxe book also includes 40 extra pages focusing on the artists’ processes, complete with sketches.There were only 500 created.
It sold out immediately, as collectibles of this nature do.We got as many as we could at the time, and of course didn’t open them, that being the privilege of the collector who takes them home.So we never got a close look at the prints. The one copy we still have sits unopened.
The images were curated by J.W. Rinzler, who was the executive editor at Lucasfilm. He is also responsible for New York Times bestsellers The Making of Star Wars and The Making of Star Wars: Revenge of the Sith, and The Complete Making of Indiana Jones.
George Lucas decided, as an avid collector of both the art used to make and promote the Star Wars films, and fine and illustration art, to go out and find artists he loved in the fine art world to create images relating to his films.This is a great idea, obviously, but here’s a little-known aspect of that project.When an artist creates art relating to Star Wars, they have to, as part of the contract, offer their art to George Lucas as the lowest market price.That is to say, if the artists involved usually work through galleries or agents, Lucas would have to have the right of first refusal for the art before even the galleries or agents had access.This seems perfectly fair for those who usually create art for the franchise.What about those outside the usual Star Wars Universe?
A number or artists used in the book are very famous in the world of contemporary fine art.What a genius move for an art collector to get the lowest possible price for art by these successful artists, while getting them to create unique commissions for him.Win-win? Yes!Indeed there were only a few artists that didn’t sell their pieces for the book to Lucas.As someone who is artist-centric, i’m going to say that’s a solid win for artists everywhere.Now that, years after the release of the book and his acquisition of the art created for it, we know the Lucas Museum of Narrative Art will be built in Los Angeles, we can look forward to seeing at least some of these originals in person on its walls.
The beauty of this book, ultimately, is the continuing belief by Lucas, and his support of it through the creation is this art, that there should be no distinction between “high” art and “popular” art.This is a notion I’ve been standing behind for the 25 years i’ve had a gallery dedicated to film, animation, and contemporary art.I look forward to seeing the many paintings he bought from John Alvin, as well as his huge collection of art by Norman Rockwell.
AS TO THE BOOK:
Since the release of the book, Moebius has passed away, so getting a signed limited edition by him as part of the set is reason enough to buy the deluxe edition.We’ve not really been promoting that we have a copy, because we certainly don’t want someone to buy the book and break up the limited editions and sell them separately.This is one of those collectibles best reserved for a collector who will know how nice and right it is to keep them together!
There’s a great video about the collection of the artists HERE.
TOP SELLING OFFICIAL DISNEY LIMITED EDITIONS ~ THE PERFECT GIFT FOR EVERY DISNEY FAN
Disney fans have been collecting and loving art since 1937, and now we can all get the best images from artists working in the studio actually making the movies! Here are the most popular and fastest selling images in a variety of price ranges that ArtInsights loves and recommends…
First, here is a great assortment of images released in special editions of 1500, not hand signed but gallery wrapped with a certificate of authenticity for either $125 or $150 that make a great impression as a gift! Click on the picture to see all the options:
There are a number of releases in small edition sizes that are hand embellished (paint is added to enhance the image) and hand signed by the artist. Here are some wonderful ones, and you can click on the artist’s name to see all their art.
IMPRESSIONISTIC WONDER-FILLED LANDSCAPES
The Adventure of Life by Rodel Gonzales: Embellished Giclee on Canvas for $595
Hakuna Matata by Rodel Gonzales: Embellished Giclee on Canvas for $650
SO MUCH GREAT ART! So much to choose from, there’s something for everyone! Every solution for anyone searching for a special gift…
grandparents looking for that special gift that will be there always
wives and husbands of Disney fans who want something super special
families looking for something the whole family will enjoy
collectors who guide their loved ones to their next exciting acquisition
Of course ArtInsights is always here to guide you as well, since we’ve been helping collectors find their way for over 2o years. We are happy to help you find something for your own wish list or for to make this holiday wonder-filled for your Disney-loving loved ones!
10 Pieces of Film Art for Sci-Fi & Fantasy Fans that are Truly and Utterly Out of This World
Some films not only never go out of style, they grow in popularity with each generation. You know your spacey cyborg-loving loved one doesn’t need one more wind-up robot…We focused on original pieces here, but whether you are looking to spend less than $200 or you can part or ALL your Galactic credits, we’ve got your covered.
Blast off to a beautiful holiday by surprising them with one of these spectacular studio artist-created images!
I’ve Seen Things by John Alvin: Giclee available in both paper and canvas editions for $150 and $450
Alien by John Alvin: created for the anniversary poster, now a limited edition for lovers of acid dripping monsters…who isn’t? for $150
Let film art solve the eternal problem of what to get to thrill the movie lovers you love!
The experts at ArtInsights Animation and Film Art Gallery have been building collections, finding special pieces, and inspiring film fans with official studio art by the best movie artists working in Hollywood for over 22 years. They have the hottest and most exclusive film art perfect for the movie lovers in your life.
CLICK ON THE IMAGES BELOW TO SEE THESE GREAT GIFT SOLUTIONS!
Why film art?
Every year we all struggle to find unique or special gifts for the loved
ones in our lives. Sometimes it feels impossible. We are all looking to
find something for the husband or wife who has everything, or the kids who
already have a mountain of toys they don’t use, or the family that
deserves something they will all enjoy for a long time.
If any or all the people on your holiday list love movies, there is art
available from some of their favorites. Think of these images created by
the artists who played a large part in the success of these movies:
Princess Leia and Luke Skywalker in a painting by the man who made some of
the saga’s best movie posters, Art with Batman, Superman, Ironman, and
other superheroes by those who influence the look and feel of those
blockbusters, Harry Potter art by the saga’s production designer, or art
from Disney’s Frozen by one of its concept artists, are just a few options
that make for an unexpected and appreciated gift, and can make you a hero
For the family that enjoys watching movies together, or a husband or wife
who has the latest movie screensaver, to the most difficult-to-please teen
– Film and animation art bring out the budding artist in kids, because it
teaches them art is something they can relate to and connect with.
– For families, shared positive memories of watching movies can be
recreated at home with film art and is one kind of art they can all
There is official art from the studios and by these filmmakers for as
little as $150 for a limited edition giclee from something like Harry
Potter, The Wizard of Oz, or Frozen, or can be an ultra-exclusive gift for
as much as $60,000 or more for the original art from a movie poster like
Beauty and the Beast or Star Wars or Blade Runner. It can be easy and
inexpensive, or it can be exclusive and the rarest of the rare. For every
taste and in every budget, and only a click away online, film art is a
great way to make holiday shopping fun and exciting.
For those who take their movie watching very seriously, there would be
nothing more exciting than having art made by those filmmakers on the
walls. They are great conversation pieces, instant mood elevators after a
long day, and a visual door to movie memories that inspire the
Want to see ALL our offerings by art category? CLICK HERE
John Alvin Originals CAN BE FOUND AT THEIR OFFICIAL GALLERY HOME!
ArtInsights Animation and Film Art Gallery has exclusive rights to selling all official original art from the estate of John Alvin. If looking for available art through official channels directly from his estate,
We at ArtInsights have been proud to be have known John Alvin and are honored to be connected as the official conduit from artist, through his family, to collector. There is a special interaction inherent to the experience of collecting original art, and we believe when movie lovers can enjoy a piece of art by such a renown artist such as John Alvin from any movie on which he created images, they become part of celebrating the important aspect of film history that campaign art represents. Collecting posters is a wonderful thing, but having a piece of art used in the making of the poster is something those who have begun a collection of such can tell you is a truly joyful experience. John Alvin was a lovely man, humble, warm, and kind, who always had time for his fans and blossoming artists. We miss him and are thrilled The Art of John Alvin will create new fans and increase awareness about him throughout the world.
We hope if you are in the Washington DC area or would like to see a collection of original art by John Alvin you’ll come to our gallery where you can see them in person. Thanks for your interest!
ArtInsights Animation and Film Art Gallery