Tag: Bill Melendez

Charles Schulz, Charlie Brown, Chomp, The Kite-Eating Tree, and The Peanuts Lexicon Limited Edition Series

One of the most endearing qualities of Charlie Brown, and why we all relate to him, is that he is an eternal optimist. He doesn’t think much of himself, and some folks can relate to that, too. Creator Charles Schulz made the character, not only in his own image, but in that of the everyman. The latest art release in the Peanuts Lexicon Series, “Chomp: Charlie Brown vs. The Kite-Eating Tree” really captures Charlie’s positive perspective, as he faces defeat once again, with that ‘stupid’ Kite-Eating Tree chewing up his kite and ruining the prospect of his and Linus’s kite-flying fun. Given the last 18 months we’ve all endured, Charlie Brown is all of us, and like Charlie Brown, we’ll make another kite and go out again to fly it tomorrow and every day, until the wind raises it to the sky.

In this limited edition, “Chomp: Charlie Brown vs. the Kite-Eating Tree”, I love Charlie’s expression, which is a mix of incredulity, disappointment, and resignation. Still, we know he’ll try again tomorrow.

The Kite-Eating Tree, a favorite of Peanuts fans, has a long and storied past. In his strip, Schulz considered it one of the series’ 12 major set pieces. Inspired by his own experience losing kites into the trees of his childhood home as well as when flying them with his kids, the first time he mentions a kite getting caught in a tree is way back on April 12th, 1956. Then Charlie names his nemesis the Kite-Eating Tree on March 14th, 1965:

The first Peanuts comic strip in which Charlie names the Kite-Eating Tree was on March 14th, 1965.

The kite-eating tree went on to great popularity, and Schulz created a number of strips featuring the non-human character.

March 4th, 1968 appearance of the Kite-Eating Tree: Note they now have their own sign.(it’s a non-gendered tree, of course!)

In January of 1969, the Kite-Eating Tree showed his truly voracious appetite in a series in which they ate Schroeder’s piano:

Chomp Chomp Chomp!
Snoopy the firefighter gets into the act in this strip from January 26th, 1969.
In the finish of the series on February 1st, 1969, it doesn’t end well for the piano, but no doubt the Kite-Eating and Piano-Eating Tree enjoyed a savory treat.

The Kite-Eating Tree appears again in 1977, on February 22nd:

As part of this storyline, Charlie Brown bites the tree, after which he gets a letter from the Environmental Protection Agency. Lucy says he’ll get ‘thrown in the slammer’.

The last appearance of Kite-Eating Tree was on a Sunday strip on February 26th, 1995:

Given its popularity, It was inevitable that the Kite-Eating Tree would be featured in Bill Melendez’s animation of the Peanuts stories. The first cartoon from Melendez was of course the Christmas Special in 1965, but the Kite-Eating Tree made its first appearance in the opening sequence of 1969’s A Boy Named Charlie Brown. Here is a layout drawing showing the character with Charlie:

In its way, the Kite-Eating Tree is terrifying! Look at that grin!

Here is the opening sequence from the cartoon. Interestingly, the parts with the grinning tree were cut out of the version that plays on Hulu (where you can stream the cartoon if you have an account)

The limited edition was designed by Director of Art Development Sandy Thome, who works with the BIll Melendez Studios, and Emmy-winning animation director Larry Leichliter. It is inspired by an original drawing that Schulz sent to Bill of Schulz as Charlie Brown, which was tacked up in the studio for many years. There’s a great story that goes with it…

Larry Leichliter explained it when I spoke to him about the new piece.

“There was this gag with a kite-eating tree. There was a cartoon, a single strip, that was part of the inspiration for the limited edition. The story is that Bill would send out a small Christmas gift to just about everybody that he knew at Christmas time, and it was something simple, like a T shirt, or a little letter opener, or some some little gadget of some kind. One year he made a kite with “Bill Melendez Productions on it, and sent it out. Everybody really liked them, because they were they were fun to play with. Pretty quickly, Schulz sent back this cartoon showing him posed as Charlie Brown looking up at his tree with his string going up to the tree, saying ‘That stupid tree ate my Melendez kite’,  and the tree is saying, ‘It tasted like a taco.’  Obviously because Bill Melendez was Mexican.”

Larry Leichliter, speaking to Leslie Combemale of ArtInsights in September of 2021.

What’s really cool from my perspective as gallery owner, is that, having worked with the Bill Melendez Studios for many years, I’ve gotten dozens of Christmas gifts. They’ve sent them every year, and I’ve loved them all. We’ve gotten an umbrella, a phone stand, a notebook, a backpack, a measuring tape, a hat, a puzzle… I’m not even remembering the weirder items. I never knew the tradition was based on the one they had in-house, and now I appreciate them all the more.

Here is the Chomp limited edition cel and the accompanying giclee of the ‘making of Chomp’ graphite drawings made and signed by Larry:

Charlie seems to be thinking, “Whaaaaa? WHYYYY?!”

As usual, Larry drew many many drawings in an effort to capture the mix of incredulity and frustration on the face of eternal optimist Charlie Brown. There’s a ton of nuance that goes into the design, and lots of back and forth between Larry and Sandy, both of whom worked for years with Bill Melendez. They really want to capture the essence of both Bill’s directive as director of A Boy Named Charlie Brown, and Schulz’s character design. There are dozens of permutations before they choose the final possibilities. Here are a few that didn’t make the cut:

I asked Larry, how the development of the limited edition progressed, and how it came together:

I think the first correction I made to it was the size of the tree, because when I first drew it, I drew it way too small in relation to Charlie, and I realized that he could just strangle the tree and pull it down, so I made it bigger! Then I decided to add the teeth and that sort of thing. All the time, I was working on his expression and his attitude. There was a lot of back and forth between Sandy and I, about what what would be the best pose? And at some point, we added Linus I mean, originally, it was just going to be Charlie Brown, and the tree, and the word CHOMP, you know, because we wanted to do this small series of limiteds as a tip of the hat to Schulz by putting these words across the screen. He would put mostly sound effects,  or kids laughing, which we used on the first limited edition…the letters onscreen were used pretty often by Schulz, and it was fun when it translated to animation. We really liked doing them. 

Larry also talked about his challenges in creating just the right image for Chomp:

Charlie Brown had so many expressions connected with his moment when the kite gets stuck in the tree. There’s frustration, and disappointment and distrust and even outright anger. But mostly it’s just, ‘poor old Charlie Brown’.  Resignation. So I was trying to get a dismayed look, because the grimace and the sidelong glance just didn’t seem quite right. Also, at some point, we decided to add Linus to it. Just because Linus is Charlie’s support. In the process, we just try one expression, one drawing after another, until something seems to fit.

As far as the difficulty in drawing Charlie Brown in general, Larry had this to say:

It’s gotten to where it’s not that difficult. Really, Schulz had a great designing sense, and once you kind of tap into it, then you know when you got it right, and when you don’t.  He definitely has a different look when he’s facing forward and when he’s in profile, and there are certain proportions, of his hand to his body, the height of his legs and the width of this neck, things like that, that you get used to. One thing is I try to face him towards the camera if I can, because I think most people like that, and I like seeing Charlie Brown looking at the world, but in this case, the profile seemed to work best, so that’s what we went with. As far as what I enjoy about it is just, that, again, the design Schulz has for this character, there very few characters where the design makes them so easy to draw. Another one is Mickey Mouse, and of course he’s iconic as well. 

Of course, I figured I’d might as well ask about animating Charlie Brown, as well.

As far as animating Charlie, he really isn’t that easy to animate, because of certain things like the shape of his head, and how it changes when he turns, but then all of the Peanuts characters are like that. They have a different design in profile than they do straight on. There are techniques that you can use in animation to fool the eye into not seeing how the head changes when a character turns. Then there are other things, like the fact that they have very short arms. What do you do if you want him to scratch his nose or take his hat off, all places that his arm won’t reach? You have to stretch his arm to do that. There are ways around it, which Schultz, in many cases, has already thought out for you, and all you have to do is refer to his work.  If you don’t see exactly what you’re looking for, you’ll see something that will inspire you to to do it in a way that Schulz would approve.

But why stop there? I asked which characters WERE the hardest to animate.

 The hard ones are the ones that you don’t get to draw very often. Like Frieda, for instance. She’s got all this crazy, curly hair and animating it, trying to keep it from just wiggling all over the place, can be a challenge. That challenge can distract you from what you’re trying to do in the first place, which is animated character with some personality and movement. But the more you work with a character, the easier it becomes. Linus is difficult, partly for the same reason, his hair can be very distracting, but also the shape of his head. Linus, Lucy, Frieda, and Schroeder.  There are two different head shapes, basically. There’s Charlie Brown’s head shape. And then there’s Linus’s head shape. All of the characters have one or the other. I would say Charlie’s head shape is a little easier to work with than Linus’s. The most difficult is Snoopy, believe it or not, but he’s also the most fun, because both drawing him and animating him is a challenge. 

You can read more about Larry Leichliter HERE.

The Peanuts Lexicon Series is really about celebrating the collaboration between Peanuts comic strip creator Charles Schulz and director and animator Bill Melendez, who, along with his team of artists, translated Schulz’s work into the beloved classic cartoons we love.

When I spoke to Sandy, she explained that Charles Schulz was integral to the development of story for Peanuts animation. He always got writing credit for the shows and specials, but it wasn’t a vanity credit, he was really involved in creation.

Mr. Schulz would show Bill strips he’d worked on, and they’d create the storyboards from those strips. We still have a lot of copies in our archives that really represent the seeds of the animated shows.

Sandy Thome, speaking to Leslie Combemale on September 27th, 2021.

Larry added his thoughts on the origins of both the Lexicon Series, and Chomp.

The Chomp kite-eating tree limited edition was actually an amalgam of a couple of shows. Everything really goes back to Schultz and his strip. When we were doing the shows, we were constantly referring to his strip, because one thing that everybody realized early on was that he really enjoyed working on the shows. Bill would go up and meet with Schulz, and the two of them would hammer out a story and Bill would come back and we’d work on the board together. Just the fact that Schultz enjoyed the process of filmmaking as an extension to his strip, I think, which made us more conscientious about studying his work and understanding his drawing, and his characters, and sense of humor…all those things. So you’ll see a lot of his strip in our shows. And that’s why.

Larry Leichliter

Here are two interviews. One that shows Schulz’s personality on an interview with Dick Cavett, and the other that captures Bill Melendez, who famously was considered one of the nicest people to work for in all of animation, as interviewed by animator and historian Tom Sito.

Dick interviews Charles Schulz in 1978.
Here Tom Sito of ASIFA interviews Bill Melendez about his life and career.

I wanted to go back to the cartoons and find a few examples of those scenes where they interpreted Schulz’s use of lettering. There are many more, and I bet you can even guess some of the expressions (like POW! and Snoopy’s howl OOOOOOoooo!), but I just wanted to give you folks a sense, so I found moments from the below specials, and made screen caps. The only one I can get for a collector is the Snoopy image. The rest have been sold for over 2 decades. There are only a few cel levels with words for each scene, so Sandy explained that once she put together about 4 cel setups, the scene was gone!:

I was fortunate enough to get some original drawings and cels that capture Charlie Brown’s struggle with the Kite-Eating Tree. If you’re interested in buying any of them, you can find them all, along with all our currently available Peanuts are, HERE.

And remember, whether you can relate to Charlie Brown, the Kite-Eating Tree, or both, you can buy the limited edition for $1700 HERE. There are only 50 pieces in the edition and will sell out quickly, so get to it if you are so inspired!

Meanwhile, can YOU guess what the third limited edition after Chomp will be in the Peanuts Lexicon Series? They won’t tell me, so I don’t know, but there are lots of great choices, and I can’t wait to see what they release!

Write your thoughts about Chomp in the comments, and don’t hesitate to contact the gallery via email (artinsights at gmail) if you have any questions.

Meanwhile, here’s hoping you all stay as positive and optimistic as Charlie Brown is. It comes in handy and is the best possible trait when times are tough!

We celebrate Beethoven’s 250th Birthday with exclusive Peanuts production art!

Beethoven turns 250 in December. We don’t actually know the date of his birth, but we do know he was a December baby. Since Schroeder has had a passion for the composer since he was able to put his fingers to a keyboard, we asked the folks at Sopwith if there was any special Peanuts art celebrating classical music. Guess what? YES THEY DO! So now we have Peanuts Beethoven art just in time.

MetLife, which has a history with the Peanuts characters in their commercials, created one of their best in which all our most beloved Peanuts characters are featured. Now there’s Charlie Brown and the Peanuts gang in production art from the commercial, and it’s a unique opportunity to get Snoopy, Schroeder, Lucy, Linus, Charlie Brown, Peppermint Patty, Pig Pen, Marcie, and Franklin, plus a bunch of other great characters in one production cel. There are also some gorgeous production drawings and some color keys that go with them. Also there are some great production cels of Schroeder and Snoopy together performing, and Snoopy conducting with the sort of passion you’d expect from everyone’s favorite beagle.

What’s most interesting is the fact that Bill Melendez Studios got the same budget for these 15 second or 30 second commercials as they did for a 30 minute tv special! That explains how beautiful and detailed this Peanuts production art is. They had so much time to do their very best!!

You can find the Peanuts Beethoven art on the Peanuts page HERE, and if you love listening to or playing classical music or playing in an orchestra, this is a unique opportunity.

Here are some of my favorites:

I wish we could find the actual commercial, but we haven’t luck yet, but I called them and hope they’ll go through their research and send a copy of it at some point. Still, I have NEVER seen all these characters together in a production cel, so this is a musical win for us all!

A Charlie Brown Christmas, cartoon history, and Peanuts animation art

As sometimes happens, there’s been a surprise release by the folks at the studio that produces all the Charlie Brown cartoon specials. Even though it precedes Halloween, it’s a celebration of the fan favorite and ultimate mood stabilizer, A Charlie Brown Christmas. Called “Let it Whip, Snoopy”, it captures the opening sequence of the wonderful winter skating scene, and comes with a great storyboard giclee created and signed by Charlie Brown animated specials director and animator Larry Leichliter. Here is the limited edition set:

It is $2400, with a huge amount of work on it and in a teeny edition of 65 and many of the numbers are already spoken for, so it will sell out very quickly. You can find even more info on it and buy it HERE

Here is the trailer for the cartoon, which shows a tiny snippet of the sequence used for the limited edition… (although, let’s be honest, we ALL remember the scene, right?) 

In honor of the release of “Crack the Whip, Snoopy!” release, let’s talk a bit about A Charlie Brown Christmas. 

First off, of course there would be no Peanuts animated specials at all without Lee Mendelson and Bill Melendez. Lee Mendelson was the executive producer of many Peanuts specials, but he started out his association with all things Peanuts by approaching Charles Schulz about making a documentary about him and his Peanuts comic strip. He had just done a doc on Willie Mays called A Man Named Mays:  

Charles Schulz, or ‘Sparky’, as his friends called him, had watched and enjoyed it, so they collaborated on the documentary A Boy Named Charlie Brown in 1963. Meanwhile, Coca-Cola approached Mendelson about producing an animated Christmas special for tv, and he immediately called Sparky about creating something featuring the Peanuts characters. Schulz suggested using Bill Melendez, who had worked with Sparky creating some Peanuts Ford Motor Company commercials. Networks weren’t interested in the special.

Then, in April of 1965, the Peanuts characters graced the cover of Time magazine, which increased interest in an animated special, and the clock started ticking. Mendelson and Schulz created an outline for a special in less than a day.

April 9th, 1965 Time Cover

They created the first and most classic cartoon in only 6 months, with the script having been whipped together in only a few weeks.  and it aired on December 9th, 1965.  Schulz built the idea around ‘the meaning of Christmas’, interspersed with scenes of skating, something he did as a child. He also included a substantive scene in which a bible verse is quoted, and though there were a few specials that specifically mentioned Christianity, this was the first animated cartoon to incorporate religion in its plot and structure.

It won both an Emmy and Peabody Award. It got both high ratings and critical acclaim. Lee Mendelson actually wrote the lyrics to the Christmas classic ‘Christmastime is Here’ in only minutes. 

It is so fitting that Mendelson wrote such an enduring Christmas classic, as, in a bittersweet endnote, Lee just died on Christmas Day of 2019. I interviewed him about his work a few years ago, and you can watch him talk about all this himself (and watch me all excited talking to him!):

The cartoon was anything but ordinary. They did a lot of ‘outside the box’ decisions as part of it, like hiring voice actors that were children, having no laugh track (Schulz’s idea), and using jazz as the soundtrack. It seems to all make sense now, since we’ve seen it so many times (it has played every year at Christmas since 1965) but at the time everyone thought it would fail miserably. 

I talked to Bill Melendez’s son Steve about working on the Christmas special, and he relates how he came up with the scene with Linus sharing the message of Christmas onstage. 

Since Larry Leichliter is responsible for the design of the new limited edition as well as the storyboard that accompanies it, I asked him about his love of the Christmas special, and about creating the storyboard. 

What makes “A Charlie Brown Christmas” special to you?

Larry: “First of all It’s a Christmas cartoon. Not that I love every Christmas cartoon, but it’s Peanuts, and I’ve always loved Peanuts. What makes it special and have such longevity is not the nostalgia of remembering being a kid and watching this show for the first time, although that’s a wonderful memory. I think for all of us, It’s a story that forever rings true. 

I love watching Charlie Brown wrestle with his problem, with the help of his friend Linus. His encounters with the realities of the world and its insensitivity to his plight are tragic and funny and he makes me root for him every time. Then there is Linus, who sticks by him like a true friend. He ultimately always shows him the way to his answer and a release from his problem.” 

Who is your favorite character in Peanuts? 

“Linus has always been my favorite Peanuts character. The combination of his vulnerability (he is a thumb-sucking, blanket-hugging child, after all) and his knowledge and philosophical beyond-his-years personality is irresistible. He is Charlie Brown’s truest friend. Even Snoopy isn’t as loyal.”

How did you compose the storyboard, and what do you love about creating them? it really captures a moment fans love from the cartoon.

“Thanks! I love showing some of the “behind the scenes” elements of making cartoons. In this case, I couldn’t decide right away just what moment of the skating scene would be ideal for our project, so it was suggested that I might pose out the “crack the whip” sequence in a story board. Then it was just a matter of showing the characters adding onto the chain until they all inevitably fly off. I think it captures not only the nostalgia, but also what is funny and charming about the special as a whole.” 

If you want to get a sense of Larry and his great career, you can watch my discussion with him and Sandy Thome, head of art development for all things relating to Charlie Brown animated cartoons. Beyond being incredibly talented, he’s quite shy, and a lovely guy. 

We have other Peanuts animation art, and of course, we can always find cels based on what you’re looking for (though, not from the Christmas special, not anymore!) check out what we have right now HERE, and contact us for special requests.

Exclusive Holiday Charlie Brown Christmas Art Show

Visit ArtInsights for our special Gallery Opening on Black Friday and Small Business Saturday!

There’s such a storied history for Bill Melendez and his 1965 classic A Charlie Brown Christmas. Not only have we seen it generation after generation, it remains one of the most watched specials every holiday season. Yes, it is Christian at its core, but cartoon fans of all faiths (including Atheism) love it and can’t wait to tune in, even as they have it on dvd, downloaded, or whatever newest version is available.

In 2015, I had the great pleasure of going out to LA and meeting a number of animators who had worked on the original special, and we all gathered together to toast the 50th anniversary of a great holiday tradition.

During and around that A Charlie Brown Christmas Anniversary event, I was able to interview several key artists involved, including Lee Mendelson, which you can see HERE. I also got to see some rare Charlie Brown Christmas art from their archives. As a fan myself, I was thrilled. It has been a show my family watches together since as early as I can remember.

This year, as always, I had requests throughout the year for various images from my Peanuts art and Bill Melendez art fans. In my research for great images, I discovered something. (I’m always learning something new..) Somehow I had never learned that Woodstock was named after the 1969 Woodstock Music Festival! That led to a great release from the people that run the animation art program at Bill Melendez Studios that was in honor of the 50th anniversary of Woodstock. We got big Woodstocks, little ones, recognizable art from Snoopy Come Home and less identifiable but charming Woodstock art from commercials and other TV specials. We sold a bunch of them. They also stumbled onto a very few images from the original Halloween special, It’s the Great Pumpkin, Charlie Brown. We sold them in minutes, then begged for more, but they were all gone, of course!

Cut to now… In asking for some images from Charlie Brown Christmas specials or commercials, the Bill Melendez folks found some great, very rare art, and offered me a special show. We’d had such a wonderful year full of collectors embracing these beloved characters, they wanted to show their appreciation. Of course we said yes!

The result is a collection of art spanning from originals by Bill Melendez himself, to A Charlie Brown Christmas art from the book and record, to cels and drawings from I Want a Dog for Christmas as well as Christmas themed commercials to limited editions that had sold out so long ago, I didn’t even have them at our own store or had just opened, so that would date to being released around 1995-2005. a LONG TIME AGO!

The Charlie Brown Christmas art from the record and book is so exciting because all the images were actually used to make the official one and only read-along book for the Peanuts Christmas special.

Someone made my life really easy by posting it in its entirety on YouTube:

Check out this video of the official A Charlie Brown Christmas read-along record!

I was floored when I saw these for the first time. I mean, we all recognize exactly what’s happening during each image and they’re from 1977!

We also got the official limited editions that had been released decades ago, including this one:

The thing about getting this collection, is we are requested to sell the art for only 10% more or less than their suggested retail. The above piece is $8000, which is exactly what they have as retail, and I haven’t seen any at all online, but even if I did, that piece would have been at a home and being resold. This is coming directly from the studio. It just doesn’t get any more classic than this!

other sold out A Charlie Brown Christmas limited editions include the below images, Tree Lot, Dog Gone Commercial and Snoopy’s Audition, all sold out but we have one of each!

We also have I Want a Dog for Christmas art. That special is a new classic played during the holiday season, and features Rerun, Linus’s brother. By the time they made this cartoon, cels were not being used, so the studio created model cels that are completely done by hand to accompany the original drawings or layouts or color model drawings from the special. My favorite is a great cel and drawings from a scene with Schroeder, Lucy, Snoopy and Woodstock:

There are also a number of other images available from that cartoon, all of which you can find by clicking to see the whole special Charlie Brown Christmas Specials collection.

The most surprising part of the collection is the original marker and graphite originals by Bill Melendez himself they sent. These have to be released by the Bill Melendez estate. We’ve only had a few in our entire span as dealers of Peanuts art. I truly wish I could keep one myself. They come directly from the source, so fans and collectors who buy them feel like part of the Peanuts family! (and, I’ll say it again and reiterate what everyone I’ve ever interviewed has said. Bill Melendez was the nicest man ever to work in animation.)

There was a show called The Charlie Brown and Snoopy Show that ran between 1983 and 1985. We got Snoopy, Lucy, Charlie Brown, Linus, and Sally art from Sally’s Sweet Babboo, the one episode that featured a Christmas play and Lucy and Snoopy skating!

The Charlie Brown animation art oeuvre would not be complete without mentioning the commercials these characters appeared in, and we have charming images as part of this Charlie Brown Christmas animation show!

Have you been to our gallery in Reston Town Center since it’s been renovated? We have a new floor, new windows, a new door, and a new lobby! and of course it’s gorgeous in Reston Town Center at the holidays. Stop by and ask to see our Charlie Brown Christmas specials animation art collection.

CLICK HERE TO SEE ALL THE CHARLIE BROWN CHRISTMAS SPECIALS ART

Our Charlie Brown Christmas art show will be having an opening weekend on Black Friday, November 29th, Small Business Support Saturday, November 30th, and Christmas Special Sunday, December 1st, with refreshments, art exclusively available that weekend, and special surprises! Call or email us with any questions.

(703-478-0778 – artinsights at gmail)

Thanks and happy holidays!

The ArtInsights Gang

Peanuts Art! The 50th Anniversary Celebration for A Charlie Brown Christmas means a once-in-a-lifetime art release!

CHARLIE BROWN, SNOOPY, & PEANUTS EXTRAVANGANZA!

invitation to Peanuts celebration of 50th anniversary of Charlie Brown Christmas special

My invitation to the big event!

PEANUTS ART!

I’m so incredibly excited that the 50th anniversary of the Charlie Brown Christmas Special, which is being celebrated next week in LA, means that I get to go to LA and interview animators AND get first access to special art being pulled specially for the event.

That’s right.  I am the FIRST gallery that gets to go in and choose art for my clients from what they’ve pulled from the archives for this event.  How did that happen?  I guess the Snoopy Puppy angels smiled on me.  In any case, any of you folks– pals and clients of mine –who love Peanuts and remember the wonderful specials fondly interested in getting something rare and unusual, please contact me in the next few days!

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A few great images from the cartoons…

I’ll be sending images and selecting art for all my clients on Tuesday June 23nd starting at 12:00 pm E.S.T, and can add you to the list of collectors to connect with that day.

What will be available?  The rarest art is the key set-ups, which means the original art and backgrounds that belong together, from the specials many will recognize.  There won’t be Christmas special pieces, but yes, there will be art from the late 1960s and some from one of my favorites, “Snoopy Come Home”.  There will also be some spectacular layout and finished drawings.  All I know is they’ve never done this before, so without a doubt they will be bringing out “the special stuff”.  Generally the prices for these originals are between $500 and $5000 depending on what it is, how old it is, and how many characters are in it.

Also, the second of the limited editions being released based on A Charlie Brown Christmas is being released on Thursday at the celebration.  None of us know what it looks like, but at only 65 in the edition, and the desire to represent the best scenes from the special, i’m sure it will be wonderful!   There also may be some very sold out limited editions made available—who knows?!

Snoopys Audition Cel

One of the three pieces released as part of the Charlie Brown Christmas Special 50th Anniversary

I’m going to be doing some interviewing the studio insiders and animators about the historical scoop and personal  experience behind these great animated favorites, and i’ll post on YouTube when i’m back.

Of course with the new Peanuts movie coming out, this is a perfect time to pick up some art, before a ton of new fans are made around the world, and a few old ones get reminded of how great these characters really are!  (many of you know my story of the one piece of art I regret not getting was a Linus cel i’ve never seen anything like again..let’s not go through that again!)

I’m in a unique position here to actually get all the very best images available for people I am representing, so HAIL TO ALL PEANUTS FANS! Let’s get some awesome art!!

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(Just a few of my favorite Charlie Brown specials!)