Tag: Spotlight on Studio Art

Spotlight on Studio Art: Buying Original and Limited Edition Animation Model Sheets

I thought today I’d talk about my very favorite kind of animation art, model sheets.  The explanation of animation model sheets, according to wikipedia:

“In animation, a model sheet, also known as a character boardcharacter sheetcharacter study or simply a study, is a document used to help standardize the appearance, poses, and gestures of an animated character. Model sheets are required when large numbers of artists are involved in the production of an animated film to help maintain continuity in characters from scene to scene, as one animator may only do one shot out of the several hundred that are required to complete an animated feature film. A character not drawn according to the production’s standardized model is referred to as off-model.

Model sheets are drawings of posed cartoon or comic strip characters that are created to provide a reference template for several artists who collaborate in the production of a lengthy or multiple-edition work of art such as a comic book, animated film or television series. Model sheets usually depict the character’s head and body as they appear at various angles (a process known as “model rotation”), includes sketches of the character’s hands and feet, and shows several basic facial expressions.

Model sheets ensure that, despite the efforts of several or many artists, their work exhibits unity, as if one artist created the drawings (that is, they are “on model”). They show the character’s structure, proportions, attire, and body language. Often, several sheets are required to depict a character’s subtler emotional and physical attitudes.”

Finding original model sheets of characters that millions of people know and love always brings me great joy.  Actually, even finding obscure model sheets from movies or characters only loved by diehard fans or super-geeky animation fans is great fun.

In my 30+ years selling animation art, I’ve sold some amazing original model sheets.

There are two I remember the most and I’m the most proud of….One was from Alice in Wonderland, of Alice.  It was the one the animators actually used, that had been photocopied and you could find the photostat versions often online.  I think it looked something like this:

I also found a great Pongo model sheet, and since he’s one of my favorite characters, I was very excited to sell that one (so don’t fall in love ;).

Over the years, I had Snow White and the dwarfs, Dumbo, Sleeping Beauty, The Ugly Duckling, and a bunch of various Mickey and the rest of the fab five like Donald Duck and Goofy.  In 30 years, I’ve maybe found one a year.  Partly that’s because I have always done a ton of research to know where they’ve been before they get to me, and the more popular and collectible animation art has become, the riskier buying anything you can’t trace gets.

Interestingly, not that many people are as big a fan as I am of them.  I’ve always attracted more collectors who love production cels.  But..the characters that have been seen by millions and continue to be seen are created and kept consistent through these images.  It’s a big deal!  It’s the artistry of the character design sitting there on the wall!

I’m not trying to pitch you guys to want to buy them, because I do so rarely find them.   I just want people to understand the beauty and genius behind them. We do have one right now, and it’s one of those that are cobbled together by animators who want to keep a character consistent by seeing it from every angle…but it also has more than one character on it.  Another love of mine as an animation art dealer is the art of Fantasia.  The film is a classic, of course, but it also has an artistic quality that is unique in all of of Disney history.

Here is the model sheet we’ve got right now, and actually I’m looking at it in person, because it makes me happy, especially this time of year.

Unicorn model sheet from Fantasia available at ArtInsights
Unicorn model sheet from Fantasia available at ArtInsights

There are plenty of photostat versions of model sheets for collectors who either can’t find the original, can’t afford one, or just want to collect a variety of pieces from the time that capture the art behind the films they love. For example, there are lots of photostat model sheets from Alice in Wonderland, as many different ones as the number of characters represented in the film.

Here are just a few, so you can see how wonderful they are and how perfectly they capture less “popular” characters…

great examples of photostat model sheets from Alice in Wonderland
Two great examples of photostat model sheets from Alice in Wonderland

I’m toying with the idea of finding more photostat images to sell to my clients.  I didn’t use to have them or carry them, because they are some hundreds of dollars, and have been for some time, because they come from the time.

Contact the gallery if it’s something you might be interested in, because I know a bunch of old-time collectors who have them.  How wonderful would these look in someone’s office?!  Yes, they are esoteric aesthetically, but that’s what makes them work in a professional environment.  The same is true for a house that has a lot of tradition art in it.  Either original or photostat model sheets will work there when other animation might not!

For those who love Warner Brothers and Hanna Barbera, there are some great images available from those studios as well.  We have an original from 1959 that’s more of a layout and a model sheet that is clearly from back when they are designing characters.  How awesome is it to know these characters hadn’t even been placed in a cartoon yet?  Fans of Quickdraw McGraw will get a kick out of that, and it’s definitely a piece of animation history.

A layout/model drawing of Hanna Barbera characters from 1959 available at ArtInsights
A layout/model drawing of Hanna Barbera characters from 1959 available at ArtInsights

Here are some limited editions with Tom and Jerry,Wile. E. Coyote and Roadrunner, and the gang from Scooby Doo.  The designs for Tom and Jerry are particularly interesting, given they were created while Hanna and Barbera were at MGM and the duo won seven Oscars and were nominated for another 7!  To put things in proper perspective, Bugs won only one Oscar!!

A limited edition of an early model of Tom and Jerry available from ArtInsights
A limited edition of an early model of Tom and Jerry available from ArtInsights
The Mystery Machine Gang and Scooby Doo Model Sheet available at ArtInsights
The Mystery Machine Gang and Scooby Doo Model Sheet available at ArtInsights
A limited edition based on a Wile E. Coyote and Roadrunner model sheet available at ArtInsights
A limited edition based on a Wile E. Coyote and Roadrunner model sheet available at ArtInsights

These do a great job of mixing the artistry behind the characters and the color and pop of production cels.  Again, they show the brain behind the movement and characterization of these classic cartoons, but in the above images you also get the color, hand-painted cel so many collectors want.

What it comes down to for me, is model sheets really represent the history behind animation.  They show our favorite characters in positions and doing things that sometimes they haven’t even done yet in a cartoon. They also capture just how talented not only the character animators are, but also those working with them who have to stay on model regardless of what is happening in their scenes.  There is so much skill, discipline and artistry in animation.  There’s no greater example of that than in animation model sheets.

If any of you collectors or animators have any great images, put them in the comments or email them to me, I always love seeing them!

Spotlight on Studio Art: Concept Art for Disneyland by Walt Peregoy

We were so excited when we gained access to images created by Walt Peregoy.  It was when he was alive, and we got to speak to him and meet him on several occasions.  He was truly a consummate artist, just like so many artists who were integral to the creation and development of Disneyland.

Finding rare and authentic art actually used to create a film, or build an enduring world like Disneyland is one of our greatest joys.  So many people online are finding and buying art created after the fact, or by fans.  Many of these fans are wonderful artists, but they are still creating fan art!  When we are able to offer concept art for something loved the world over, (in this case, Disneyland) it goes in our memories as yet another reason why we stick to small business and owning an art gallery.  Somebody has to be the custodian of the production art!  To us, there is a difference.  Putting our hands on the art, knowing it was toiled over, designed in some mid-century modern office, and even better, to recognize the avant-garde design style that went on to influence 101 Dalmatians, and inspire Disney to give the designate “LEGEND” to the artist.  Well, that’s the whole point of “film art by the filmmakers”.

Born in 1925, Peregoy knew early he wanted to be an artist.  He started taking classes at the ripe old age of nine, in Berkeley, California.  Through his teenage years, he studied at Chouinard Art Institute, (where animation luminaries Chuck Jones and Frank Thomas and Ollie Johnston went, among many others) and at 17, quit school altogether to work at Disney, before abruptly leaving to fight in WWII, and then studying at arts universities after the war in Mexico and Paris.

In 1951, he came back to Disney.  Along with working on the designs for Disneyland, he and another artist also known for his stylized artistry, Eyvind Earle, worked on 1958’s Paul Bunyan, for which they were nominated for an Academy Award. He went on to be lead background painter on Sleeping Beauty, and became color stylist on 101 Dalmatians and The Sword and the Stone.

There’s a great Disney documentary called, “Four Artists Paint One Tree”.  What makes it so great is the fact that four illustrators who worked at Disney and in commercial art were highlighted, Marc Davis, Eyvind Earle, Joshua Meador, and Peregoy.  Walt Disney always believed the artistry required for animation and imagineering was “fine art”, and there were no qualifiers to the artists who worked at the studio.  To him, they were as impressive and talented as those in museums, and he promoted that perspective as often as possible.

What this documentary shows, and what I talk about all the time when people come into ArtInsights and ask about the artists represented, is that regardless of what these artists are working on, be it a character like Cruella, a background from Sleeping Beauty, or concept art for Disneyland, they are able to infuse it with their aesthetic, AND follow the guidelines required for the project.

https://www.youtube.com/watch?v=9Dg8w6gk4cE

FANS OF ART AND ANIMATION SHOULD SEE THIS!!

I could watch this documentary over and over.  (and went down that same rabbit hole I go down every time I watch it…fascinating!) Are these artists stilted when they speak about their creations?  Yes.  Who cares?  Seeing them paint and explain their designs is ever-fascinating.  For any artists wanting to learn about how to express their own aesthetic, it’s superb.  For the lucky person who buys the concept art from 1955 for Disneyland by Walt Peregoy, it just reaffirms his genius.