Tag: Marc Davis

Halloween 2021: Celebrating The Art of Disney Villains

It’s almost time for Halloween, and if your family is anything like mine, it’s at least equal to Christmas in importance and excitement. In our house, we have The 31 Days of Halloween. We watch a horror movie or a movie with a great villain, listen to soundtracks like Psycho, Halloween, and, of course, songs from Disney’s The Headless Horseman. This seems like a perfect time to consider a few of Disney’s villains. Villains have played an important part in my love of animation and appreciation for Disney films, and I’m sure some of you can say the same!

I remember back some years ago, before the folks at Disney figured out there were lots of villains fans like me. I would comb the stores all over the parks looking for merchandise featuring Chernabog (not a morning demon), The Evil Queen (a misunderstood crone), Cruella De Vil (I’ve got nothing. She’s bad. She wanted to make a coat out of puppies..) and Shere Khan (voiced by George Sanders, so of course I love him. Don’t be mad at him just because he’s a hungry tiger.)  It was extremely rare for me to find anything. Then Nightmare Before Christmas became retroactively popular, and Disney figured out there are scores of fans who loved all the (supposedly) bad guys and gals. 

Ever since I started selling animation in 1988, I’ve had loyal fans of villains. Some of them aimed to collect cels or drawings of every single one of them. Others had very specific favorites, and only collected them. Over the years, I’ve sold hundreds of cels and art of Disney villains. It became my specialty. Over the years, they’ve become highly prized, (as I expected), and finding good art in great original condition has become very challenging. Of course, I still try! 

What makes the Disney villains such a big deal? For one thing, they are always the character that gets the most story told in the least amount of time. These characters aren’t in a lot of scenes, but the ones featuring them are always some of the movie’s most important moments. In both storytelling and visual quality, they are always the most memorable.  

In Snow White, the scene when the Queen turns into the hag is a stunning piece of animation.  

Evil queen and witch from Snow White
An original illustration from Disney Publishing from the Villains storybook: The Queen Transforms. For more info or to buy, click on the art.

The hag isn’t in Snow White for very long, but she’s a gorgeous example of character animation. 

An original drawing of the wicked witch from Snow White. For more info or to buy, click on the art.

The witch, or the Queen as an old hag, was designed by Joe Grant. 

The witch was chiefly animated by Norm Ferguson, who was a supervising animator on the film. She was voiced by stage and screen actress Lucille La Verne, who also voiced the Wicked Queen. As someone who had been performing since 1876, performing Juliet and Lady Macbeth back to back at 14, it was her final film performance. 

Chernabog steals the whole movie in his sequence Night on Bald Mountain in Fantasia.  

Chernabog is perfect for Halloween, because he is based on a Slavic god who rises from the top of Bald Mountain on Walpurgis Night (The Witches’ Sabbath) which might be on April 30th in Europe and Scandinavia, but the holiday mimics Halloween in the US. It is celebrated by dressing in costumes and conducting rituals to keep evil spirits at bay. In Finland there is much drinking, especially of sparkling wine, and the towns have a carnival-like atmosphere. 

A gorgeous drawing of the quintessential villain Chernabog. For more information or to buy, click on the image.

In Night on Bald Mountain, clearly there isn’t enough going on to ward off evil, since Chernabog calls forth his minions from the fiery pits of hell. He is definitely Disney’s most purely evil villain. The Night on Bald Mountain sequence was animated by Vladimir ‘Bill’ Tytla, one of Disney’s Nine Old Men, and my favorite Disney animator. Conceptualized by a mixture of talented artists including Heinrich Kley, Albert Hurter, and Kay Nielsen, who created the model sheet for Tytla’s animation. The animator was Ukranian, and well aware of the character’s mythology. He was once seen working on the animation in total darkness other than the fluorescent light of his drawing table. Bill Tytla, by all accounts, was an intense, serious man, and captured great emotions in his characters, which also included Yensid, Stromboli, and Dumbo. His last work was directing the animation on The Incredible Mr. Limpet.  

Just watch a video of his work, and you’ll understand why he’s a fan favorite:

Cruella is one of Disney’s ‘funny’ villains, but she’s still terrifying, not least because she thinks nothing of killing over a hundred dogs to make a coat. She is immediately unforgettable when makes her first entrance in the film, barging into Roger and Anita’s house. 

An original production cel of Cruella deVil. For more information or to buy, click on the image.
A Disneyland setup of Cruella and Horace Badun from 101 Dalmatians. For more info or to buy, click on the image.

Cruella originates from the 1956 children’s novel by Dodie Smith, which was originally serialized in Women’s Day as The Great Dog Robbery, with Perdita being called Missis. The animation of Cruella for the original animated feature was done by Marc Davis, from designs by Davis, Ken Anderson, and Bill Peet. Cruella’s half black and half white hair, black dress, and oversized mink coat are all from Smith’s novel. Her skeletal shape and a chain smoking were added by the Disney artists building her look. Her cigarette holder was modeled after the one Marc Davis himself used. The bright red of her coat was an Allusion to her demonic nature. Her character was inspired by actresses Tallulah Bankhead, Bette Davis from All About Eve, and Rosalind Russell from Auntie Mame. 

Here is a great little video profile on Marc Davis. 

She was voiced by the gorgeous Belly Lou Gerson, known for her voice work in the 40s and 50s, including on Yours Truly, Johnny Dollar, and Lux Radio Theater. She was in the 1958 horror classic The Fly and guest starred in The Twilight Zone. Fans of the under appreciated animated feature Cats Don’t Dance will love knowing she provided the voice of Frances for the film. 

 These characters resonate with us for a reason. They represent archetypes known all over the world, many of which were examined and studied by psychologists and philosophers throughout history. Carl Jung is most famous for exploring and explaining archetypes, which allow us all to understand life through symbolism (and put people in neat little categories which can be damaging, especially to women.) He believed the path of life makes more sense and can be walked with more understanding and finesse if we know these timeless, recognizable categories in which the human psyche is driven to place everyone they encounter in their daily lives. Knowing what they are allows us all to play with them, lean into them, or mix and match them, should we so choose. They include The Innocent, The Everyman, The Hero, The Rebel, The Explorer, The Creator, The Ruler, The Magician, The Lover, The Caregiver, The Jester, and The Sage. These archetypes can even be leveraged or manipulated in branding and marketing, as explained HERE

Joseph Campbell talks about the eight types of characters in the hero’s journey in The Hero of a Thousand Faces. They include the hero, mentor, ally, herald, trickster, shapeshifter, guardian, and shadow. You can read more about there HERE. I’m sure you already know Star Wars was cribbed almost entirely from The Hero’s Journey, which you can see HERE. Most of the Disney villains represent the shadow, but might also have a second archetype, as the hag, who is both shadow and shapeshifter, does. 

One of Disney’s first focuses on the villains as a team was in 1981, for a special in The Wonderful World of Disney, which included the Evil Queen’s mirror, Captain Hook, Edgar from The Aristocats, Wille the Giant from Mickey and the Beanstalk, Kaa from Shere Khan, The Evil Queen, Cruella, Madam Medusa, and Maleficent. Disney has created more than 127 villains in films, sequels, tv, video games, books, and theme parks. The more recent villains franchise is a collection with villains that have primary members, which includes the Evil Queen, Chernabog, Queen of Hearts, Captain Hook, Maleficent, Cruella, Ursula, Jafar, Scar, Hades, and Dr. Facilier. 

We have this piece, which was the basis of an early incarnation of the villains ‘team’, before Dr. Facilier (Disney’s first Black villain) had been introduced. It’s the color model for the Disney sericel, “Dungeon of Doom”. 

Original color model for Disney sericel, “Dungeon of Doom”, featuring the villains! For information or to buy, click on the image.

Of course there’s a sub-franchise called Disney’s Divas of Darkness, (folks in the know call it DDD for short). That includes Evil Queen, Lady Tremaine, Queen of Hearts, Maleficent, Cruella, Madam Mim, Madame Medusa, Ursula, Ysma, and Mother Gothel (who was inspired by Cher!).  Now THAT sounds like a garden party I’d love to attend. 

In my research for this blog, I found there is also a sub-franchise called Disney’s Sinister Cats. It includes bad kitties Lucifer, the Cheshire Cat, Si and Am, Shere Khan, Felicia (from The Great Mouse Detective) and Scar. Who knew? Now I need to find some merchandise from this. 

Of course there is a lot of of art created by Disney fine artists celebrating villains. You can find our collection of villains, from Disney and elsewhere, HERE

Sleeping Beauty Production Cels: Why is original art from Sleeping Beauty is so beautiful?

Our new original production cel of Briar Rose
Our new original production cel of Briar Rose

In the course of my career selling animation art and advocating for the value of animation art as a legitimate art form, i’ve discovered collectors of original production art, and even Disney interpretive art, tend to gravitate to movies that are either firsts or lasts.  Sometimes they are aware of the history, and sometimes they are responding to something they feel or see, not knowing the technical or historical reasons.  

For example, there are lots of Snow White lovers, not only because it is the first full length feature for Walt Disney Studios in 1937.  Few dispute that it is a masterpiece of invention based on a great old story, that is very important to the history of film.  

Our new original production drawing of Snow White
Our new original production drawing of Snow White

The fact that it is the first for Disney feature animation, though, means at the time there was a huge amount of experimentation and innovation. Character design made leaps forward, so that meant the villain, the Queen and her disguise, the witch, the dwarfs, the animals, and Snow White herself were full of little design elements that made the cels used to animate them fun to look at.  The way the outlines of the characters on the cels were hand-inked, and the airbrush used to enhance the look of movement or “alive quality”, inadvertently made the production cels beautiful pieces of art.  Of course Walt figured that out and sold them as art at the movie’s premiere.  

At the Snow White premiere, picture courtesy of Davelandweb.com
At the Snow White premiere, picture courtesy of Davelandweb.com

Although not the masterpiece Snow White is as a film, 1959’s Sleeping Beauty also has a slew of collectors and fans, and deservedly so.  It is the last hand-inked feature film in Disney’s history.  For that reason, the studio both went all out in their use of ink colors and enhancements, and experimented with the new technique of xerography they hoped to use in their next feature, 101 Dalmatians being released in 1960.  For those of you who don’t know, xerography copies the original drawing onto the cel with a machine, making hand-inking the outline of the characters unnecessary.  This took far less time, but also, they argued at the time, assured the integrity of the artists’ finished drawings, because they would be transferred exactly as they were drawn, onto the cel.  

A model sheet of Briar Rose
A model sheet of Briar Rose

Briar Rose and her fabulous hair, hand-inked by the Ink and Paint Department at Disney
Briar Rose and her fabulous hair, hand-inked by the Ink and Paint Department at Disney

Here’s the thing:  Hand-inking, on animation cels, is just lovely.  What I tell people who are wondering through ArtInsights for the first time curious to learn a little about production art, if you stand back and look at two cels, one with hand-inking, and the other with xerographic line, the hand-inked cel pops right off the wall.  You can see the character so much better!  The character’s outline being so clearly defined, and often in a variety of colors, adds dimension to the character itself.  The problem of course, is that if you love 101 Dalmatians, you have to embrace the first that was using xerography to outline all the characters in the movie.  To be fair, it has its own retro charm.  However, one of the reasons collectors of Sleeping Beauty are so committed to that film is because the hand-inking points to the end of an era, and as such goes out in a blaze of glory, and the cels are flamboyantly hand-inked to the point of artistry. I think the character designers and inker painters knew it would be the last time they would make such a strong mark on an animated feature, and they just put all their heart and soul into the art.

Sleeping Beauty fans love the film for lots of reasons. The voice talent is extraordinary.  Mary Costa as Princess Aurora was wonderful casting, because she could bring her background as an opera star to the experience.  Vera Felton, at this point a Disney veteran, having been tapped for the fairy godmother in Cinderella and the Queen of Hearts in Alice in Wonderland, among others, voiced Flora. Radio voice star Eleanor Audley had voiced Lady Tremaine in Cinderella, and absolutely rocked it as Maleficent.  That character is beloved not just for her design, but certainly for the way she was voiced!  

The voice of Briar Rose, Mary Costa
The voice of Briar Rose, Mary Costa

The animation artists involved in Sleeping Beauty point to a particularly fruitful time at the studio. The character animation is some of the best in Disney history. Marc Davis animated both Princess Aurora and Maleficent, Milt Kahl worked on Prince Philip, Frank Thomas and Ollie Johnston handed Flora, Fauna, and Merryweather, and Wolfgang Reitherman worked on the dragon.  For those of you who know these names, that’s a lot of Disney genius in one place.  Eyvind Earle, Sleeping Beauty’s art director, was known as a masterful background stylist, and invented much of the look of the movie’s backgrounds, especially the ubiquitous mid-century modern trees, modeled after those that surrounded him living in California.  

A Sleeping Beauty background by Eyvind Earle
A Sleeping Beauty background by Eyvind Earle

Though Sleeping Beauty didn’t succeed at first at the box office, it has since gone on to be seen as one of Disney’s best.  Not that animation collectors who search avidly for good production cels from the film care about such things…they can’t be convinced by nay-sayers because the cels themselves are just so gorgeous.  

A Disneyland art corner original production cel of Prince Phillip and Samson we just got at the gallery.
A Disneyland art corner original production cel of Prince Phillip and Samson we just got at the gallery.

That brings us to a cel I just got in ArtInsights (you can click on the top pic to go to the page in the gallery site) One of the scenes collectors look for as part of their Sleeping Beauty animation art collection is a great cel of Briar Rose in the forest.  Obviously collectors look for essential moments that represent the key scenes moving the story forward, and Briar Rose wandering through the landscape, singing to her mock prince, and meeting Prince Philip, definitely qualifies!  I see lots of Briar Rose cels.  There is a crazy variance in price, according to little things and big things like

Are her eyes open?  Does she have her basket?  Can you see the curls in her hair? (hand-inking at its best!!) Is she full figure but you can see her face well and she has a good expression?  Are there animals present? Is she dancing?  Is she dancing with the prince? (unlike the end of the movie, that would be comprised of, in this scene, two cels, not one with both of them on it like the ‘dance among the clouds’) has the art been restored? (I try not to sell restored art) is it in a hand prepared background? Is it a full cel or is it an art corner piece?

The Sleeping Beauty production cel we have right now has a hand-prepared background on it.  Created by an artist who has worked at Disney, this artist captured the essence of Eyvind Earle’s style.  So much so, that i’ve been afraid about making sure the provenance stays intact and should the art ever leave the hands of whoever I sell it to, it is clearly indicated that this is NOT from 1959. It helps that this artist created the background on archival mat board and it has a repeated stamp all over the back CRESCENT, CRESCENT, CRESCENT! (the company that makes those mats) The cel is unrestored, and yes, you can see her hair.  For my part, Briar Rose cels are some of my favorite production cels because of her hair.  Realize, now, that her hand-inked hair is done 24 cels per second through the entire movie.  THAT’S CRAZY!  No wonder they switched to xerography!

One of my favorite parts of my job being a gallery owner is finding original cels that truly capture the spirit of a character.  Knowing that production cels were photographed and used the create the film, a film that has been seen by many millions of people, just brings me such joy.  It’s like animation history, and indeed art history, in your hands, or on your walls.  It also brings me joy knowing there are like-minded people out there who also love animation art.  Being in the industry since 1988, I saw a time when few knew what the heck it even was!  I still have people who come in and think it’s all kid stuff, but I hope with blogs like these I can change a few minds, or reaffirm the love of cartoons and animation art in a few collectors, and even more Disney lovers!

For ArtInsights, i’m Leslie Combemale.

These are just thoughts and musings of a gallery owner and lover or art and animation.  There are lots of books that will go far more in-depth about the history of animation and Disney.  Please feel free to ask questions below or email the gallery if you are looking for Sleeping Beauty art or animation film art of any kind!

Further reading on Sleeping Beauty production cels, Sleeping Beauty the feature film, and the history of Disney animation:

Sleeping Beauty Platinum dvd (commentary and extra info)

http://www.amazon.com/Sleeping-Beauty-Two-Disc-Platinum-Costa/dp/B0013ND30M/ref=sr_1_1?ie=UTF8&qid=1442971121&sr=8-1&keywords=sleeping+beauty+platinum

An article on Ink and Paint:

http://www.vanityfair.com/culture/2010/03/disney-animation-girls-201003

Also, stay tuned for an upcoming book by Mindy Johnson called Ink and Paint: The Women of Disney’s Animation Department!

Once Upon A Time: Sleeping Beauty History

http://www.amazon.com/Once-Upon-Dream-Perraults-Maleficent/dp/1423199022/ref=sr_1_1?ie=UTF8&qid=1442971371&sr=8-1&keywords=sleeping+beauty+disney+history

Before Ever After: Animation Lectures

http://www.amazon.com/Before-Ever-After-Lectures-Animation/dp/1484710819/ref=sr_1_2?ie=UTF8&qid=1442971425&sr=8-2&keywords=disney+history

Demystifying Disney History

http://www.amazon.com/Demystifying-Disney-History-Feature-Animation/dp/1623567440/ref=sr_1_2?ie=UTF8&qid=1442971539&sr=8-2&keywords=history+of+disney+animation

Disney’s Illusions of Life

http://www.amazon.com/Illusion-Life-Disney-Animation/dp/0786860707/ref=sr_1_4?ie=UTF8&qid=1442971563&sr=8-4&keywords=history+of+disney+animation

Layouts and Backgrounds from the Disney archives

http://www.amazon.com/Layout-Background-Disney-Animation-Archives/dp/142313866X/ref=sr_1_1?ie=UTF8&qid=1442971563&sr=8-1&keywords=history+of+disney+animation

The Encyclopedia of Walt Disney Animated Characters

http://www.amazon.com/Encyclopedia-Walt-Disneys-Animated-Characters/dp/0786863366/ref=sr_1_9?ie=UTF8&qid=1442971881&sr=8-9&keywords=disney+character+animation