Tag: Ink and Paint the women of walt disney animation

Vintage Disney Art from the Vault at ArtInsights

So much awesome Disney history right here!

Premiering live on March 2nd at Mindy Johnson’s Ink and Paint: The Women at Walt Disney’s Animation is a collection of vintage Disney concept and character drawings that will fascinate and excite fans and collectors of Disney art! ArtInsights already has them on-hand, but will be unveiling them at the event, which is from 2-5pm. Come see them in person!

  • Snow White original production drawing
  • The animals from Snow White with color notes
  • A great Geppetto with color notes
  • Concept art for Fantasia of the centaurs
  • This is a concept of Flower by Marc Davis!
  • Gorgeous Fantasia Rite of Spring concept art
  • A rare, vintage Mickey drawing, with color notes!
  • A Mickey art props drawing for Canine Caddy, a Disney classic cartoon!
A screen shot very close to the graphite from Canine Caddy, a classic 1941 Mickey Mouse cartoon, in which Mickey is voiced by Walt Disney. Note the touches of color on the drawing, as well as the difference in Mickey’s design between this and 1932’s Mickey’s Good Deed.

We will be showing and selling drawings from Snow White, Pinocchio, Fantasia, Bambi, Dumbo, and some fantastic shorts like Canine Caddy, The Picnic, Mickey’s Elephant, and more!

The above drawing from 1932’s Mickey’s Good Deed (also called Mickey’s Lucky Break) has two pegholes, as was the case in the earliest Mickey cartoons. This is an early example of a cartoon where Mickey’s voice was supplied by Walt Disney, and is one of the most charming Christmas-themed Disney shorts.

  • Baby Pegasus concept art

This concept art piece of a pegasus baby from Fantasia has an official Walt Disney Productions stamp in the corner, usually used as part of the Courvoisier Galleries releases!

He just gave Yensid back his hat and broom.
He’s had fun being a very bad apprentice!

This wonderful original production drawing of Mickey from Fantasia has a perfect expression of the trouble-making apprentice, and some great notes and extras on it!

A screen cap of the finished sequence a few moments away from the drawing.

See the Sorcerer’s Apprentice section of Fantasia here:

https://video.disney.com/watch/sorcerer-s-apprentice-fantasia-4ea9ebc01a74ea59a5867853

When Mindy does her presentation, she’ll take you through the exciting and historic elements of some of these drawings, like the color key notes on the Geppetto from Pinocchio, the influence of women on the work created for Fantasia, and how the history of women in animation plays an important role in your favorite classic Mickey cartoons from the early 1930s!

  • This queen finished graphite celebrates both costume and character design!
  • Here she is as the drawing is translated into film!

This original drawing of the Queen from Snow White is not only exquisite, it also shows the complexity of creating images for animation. Disney envisioned the character as a mix of Lady Macbeth and the Big Bad Wolf. She is the first character to ever speak in a Disney feature film, and the first character to die in one, as well. In this drawing, you can see her reflection in the mirror, a close-up of her face, as well as the drama of her costume. The screen cap next to the drawing shows what was finally put onscreen as part of the film. The notes about the production and scene, as well as the notes near her face are just the sort of special additions fans and aficionados are looking for their collections!

  • The rarest of the rare. A Chernabog drawing from Night on Bald Mountain.
  • He would be nothing without his pack of demons to do his bidding!

In all the time I’ve been selling and writing about animation, I’ve only seen a handful of graphites from Night on Bald Mountain that I could trace back to the studio. A friend of mine has one of the only cels of Chernabog in existence, and wow is it a beaut! The character was animated by Bill Tytla, who had meant to be inspired by the poses of Bela Lugosi, who had been brought in for visual reference. Instead, he used Night on Bald Mountain director Wilfred Jackson’s shirtless poses to create the images he needed.

  • Timothy Mouse kisses the magic feather
  • The crows laugh

Both images from Dumbo have added notes and color as part of their drawings. The film won an Oscar for Best Original Score. For folks who love both Dumbo and Lilo and Stitch, they do have something in common. Both used watercolor backgrounds extensively as part of their artistic aesthetic.

We hope any who are interested in great original art from Walt Disney that carries significant historical significance will contact us about acquiring these lovelies. Remember that these images are subject to availability, so check with us! Meanwhile, we hope to see you this Saturday between 2-5pm!

Mindy Johnson: 5 Things You’ll find Surprising from INK & PAINT: The Women of Walt Disney’s Animation

When Mindy Johnson started out writing her book Ink & Paint: The Women of Walt Disney’s Animation, her plan was to make a compact little tome that celebrated what many thought must have been a very small percentage of those in the Disney’s workforce responsible for the experimentation and advancements for which the animation studio is known.  After, as Alice might do, “going down the rabbit hole” of research and discovery, Johnson wound up writing a book with quite a bit of heft, at 384 pages and sized at 10 x 2 x 13 inches. 

We were curious, since Mindy is coming for a lecture and book signing, to get a few thoughts from her on what she discovered early in the course of her research. Of course she’ll be talking about it all in greater length when she’s here in the gallery, but we figured our friends all across the globe might enjoy knowing what got her so curious about the subject.

5 THINGS THAT MIGHT SURPRISE YOU ABOUT THE HISTORY OF DISNEY ANIMATION:

  • 1. SO MANY WOMEN!

“Most books out there would lead you to think there were only a handful of women animators or artists who contributed to Disney’s animation, but it turns out there were thousands of women whose remarkable artistry inspired, defined and contributed to Disney’s classic animated titles.”

  • 2. MEN INKED! MEN PAINTED!

“We’ve been lead to believe that it was only women who did the inking & painting on these films, but men were involved at various points throughout the history of Disney Animation.”

  • 3. SO MUCH MORE THAN JUST LINES

“People thought Inkers were simply tracing the pencil drawings of the animators, but truthfully, Inkers are translating the line with tapered starts & stops, and specifically defined line widths for each character and scene — very calligraphic!”

  • 4. THEN, NOW AND FOREVER

“Women were at the forefront of the various technologies that advanced animation – xerography and Digital technology.”

  • 5. IMAGINE THOSE PICTURES OF ROSE FROM TITANIC, ONLY IN ANIMATION…

“Many remarkable women worked within Disney Animation whose accomplishments went far beyond animation – including several record-breaking pilots and ‘firsts’ within aviation, a world renowned opera star, and the founder of an international club for tall people!”

Come meet Mindy Johnson in person, get a hand-signed book, hear her speak about the history of women at Disney, and see a rare exhibit of vintage Disney art on March 2nd, from 2-5pm at ArtInsights!

Mindy Johnson at ArtInsights for Ink & Paint: The Women of Walt Disney Animation signing and lecture

ArtInsights is celebrating Women’s History Month with a signing of the book Ink & Paint: The Women of Walt Disney Animation and a lecture from the author, leading historian on women in animation and film, Mindy Johnson. Accompanying the event, which is from 2 to 5pm, will be the premiere of a collection of vintage animation, as well as illustration art by famed Disney concept artist Lorelay Bove, who has contributed images for Johnson’s upcoming release Pencils, Pens, & Brushes: A Great Girls’ Guide to Disney Animation. Scrawl Books (our indie bookstore neighbor in Reston Town Center) will be partnering with ArtInsights for book sales, and refreshments will be served. Entrance is free, but RSVPs have first priority. Email us at artinsights@gmail.com or call ArtInsights at 703-478-0778 to secure your spot!

About Ink & Paint:

From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets. With calligraphic precision and Rembrandt-esque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now.

8-Studio Checker finalizing cels on Pinocchio circa 1940, from the book Ink & Paint: The Women of Walt Disney Animation by Mindy Johnson.

Walt Disney’s pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many “firsts” for women within the entertainment industry along the way. Focusing on talent, Disney sought female story specialists and concept artists to expand the scope and sensibility of his storytelling. Upon establishing the first animation-training program for women, ink pens were traded for pencils as ladies made their way into the male-laden halls of animation. World War II further opened roles traditionally held by men, and women quickly progressed into virtually every discipline within animation production. Disney’s later development of the Xerox process and eventual digital evolution once again placed women at the forefront of technological advancements applied to animated storytelling.

About Pencils, Pens, & Brushes:

Based on Mindy’s critically acclaimed Disney Editions title, Ink & Paint: The Women of Walt Disney’s Animation, this nonfiction picture book is a fun and inspiring look at many of the amazing women who have worked at Disney Animation over the years—from Story Artists, to Animators to Inkers and Painters, all with unique personalities and accomplishments, such as becoming a record-holding pilot, or designing Hollywood Monsters, or creating an international club for tall people!

This timeless treasure features the whimsical and inspiring illustrations of noted Disney artist Lorelay Bové, whose visual development and design artistry defined such animated classics as The Princess and the Frog, Prep & Landing, Tangled, Wreck-It Ralph, Big Hero 6 and Zootopia. 

About Mindy Johnson:

In her latest landmark book, Ink & Paint: The Women of Walt Disney’s Animation, author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments, and tea. From the earliest black-and-white Alice Comedies to the advent of CAPS and digital animation, meet the pioneering women who brought hand-rendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation.

Award-winning author, historian, filmmaker, educator, musician and more, Mindy Johnson’s creative accomplishments reflect the diversity of her talents and experience. 

A leading expert on women’s roles in animation and film history, Mindy frequently writes and speaks on early cinema, animation, women’s history, and creativity. Her ongoing research and groundbreaking discoveries continue to cast light on the invisible narrative of women’s presence within the first century of the motion picture industry. 

Mindy has produced record-breaking global campaigns, creative content, exhibitions and events for a growing list of clients including: The Walt Disney Company, AMPAS/Oscars.org, WNET/American Masters, The Walt Disney Family Museum, Bing Crosby Enterprises, SiriusXM Radio and Horipro Entertainment. 

In addition to her film expertise, literary efforts and consulting, Mindy is also an award-winning playwright, songwriter, composer, and contributing artist on several internationally acclaimed recordings and published compositions. Mindy teaches cinema history, aesthetics and intercultural film within the Los Angeles area, including a first-of-its-kind course on the history of women in animation, based on her ground-breaking book, at CalArts – California Institute of the Arts. See more about her on her website by clicking here.

About Lorelay Bove:

Born in Barcelona, Spain, raised in the principality of Andorra and part of a family full of gifted artists (her father is renowned painter Quim Bove) art has always been a way of life for Lorelay. Educated at the prestigious California Institute for the Arts, a school founded by Walt Disney to foster young creative talent, this exciting young artist has made an impact on the art and animation world almost immediately upon her arrival. 

After making her entry into the business as an art intern at Pixar Animation Studios, she quickly transitioned into her current role as a Visual Development Artist at Walt Disney Animation Studios. 

As a visual development artist for Disney, her conceptual artwork has been extremely influential in the visual direction of films such as The Princess and the Frog, Tangled, Winnie the Pooh, and Wreck-it Ralph. Lorelay is also known for providing the illustrations for the Little Golden Book The Princess and the Frog title, as well as Toy Story: Ride ’em Cowboy! Her work is also featured on the cover of The Art of Wreck-it Ralph.

Her work is often compared to the work of Disney Legend Mary Blair, although Lorelay confesses that she did not become aware of Ms. Blair’s work until her college years. Her own visual signature and style had already been well established for many years at that point, however, she finds the comparison flattering. “It’s quite a compliment!” she says.

See all of Lorelay Bove’s limited editions by clicking here.