The 10x10 series, when purchased as limited editions, comes unframed and unstretched, but we generally stretch them so they are ready to put on the wall. Unframed and unstretched, the art is $195. We charge $250 for the stretched images.
ABOUT the 10 x 10 x 10 series:
Tennessee Loveless is a Los Angeles based contemporary pop artist whose bold use of color and pattern evokes an immediate visual impact to the viewer, but also creates a poetic irony when one considers the fact that Loveless has colorblindness—almost complete colorblindness. Despite many obstacles throughout his life and career he has persevered in pursuing his career as an artist. He is driven by his passion for painting people and iconic fictional characters in a way that strikes an emotional and nostalgic connection through the power of the one thing he is blind to.
As a child growing up in Marietta, Georgia, Tennessee watched his peers identify and collect information based on this “invisible force” that people called color. He began to work within two worlds, one that operated within his own vision and perception and the other which he created in his attempts to relate to the rest of the world. This disconnect later ruptured a fascination with the unknown and he began to feverishly occupy his mind with the fundamental understanding of a chromatic world.
Tennessee’s inability to distinguish most hues has never swayed him from creating art. If any thing, his disconnect from this in his early years made him obsessed with the forming of patterns, objects and shapes. He became attracted to the destruction of white space and became captivated with the idea of filling anything lacking in form with pattern. Later in life, he began attaching color to his subjects as he learned in color theory books which hues complimented or contrasted each other appropriately.
He also communicates hue choices through an objective and synesthetic nature. The essence of his work is largely dedicated to the emotional pull and story telling element of color, expression, and pattern, and mostly importantly, the crossing of the senses
Tennessee’s newest project, entitled 10x10x10 (or Ten by Ten by Ten(nessee)) is based off of the classic “Mickey Mouse” face. The concept is to create 100 unique creations based off of one classic Mickey Mouse template. While the face stays the same, the art changes. This project is about a pop art journey, exploring the history of the icon, and finding oneself underneath.
About Wake Up and Smell the Sound of Coffee by Tennessee Loveless, in his own words:
There are no mistakes in life, and there are certainly no mistakes in art. There are no wrong turns, just unexpected ones. After all, what would be the point of our life if everything was a linear path? IF…. our lives were built on a straight shot from point a to point b, how misguided would our potential be? Our lives were built for swooping circles, twists and turns. These unexpected blips of chaos are the very ones that remind us why we are alive, question our purpose, and ultimately guide us in new directions.
With that being said, the whole different direction of this project was created off of one accidental pen mark. I’ll explain further below.
So far No. 1 – No. 7 were relatively safe executions. These were pattern saturated concepts with understood color schemes that I was safe with. No. 8 through No. 11, were at best starting to split from the normal ranges of work but still geometric in form.
No. 12 was the gateway into a new series I call the “Loveless Letters” Series, and it all happened to do a rough draft that was due to be used and destroyed for printing press purposes. In my line review of my work, No. 8 through No. 11 came with some criticism. The barcode and dollar signs were immediately nixed, and I was asked to change the television piece (Toon In, Tune Out, No. 09) ‘s text to “TURN ON/TURN OFF” to something else because it might be misconstrued. We agreed to change the word to “SWITCH” in order for the piece to go to production.
So here I have this blank uneven canvas (which is unable to be stretched), a Mickey drafted out, and I’m creating the words “SWITCH” in the ears. When I was done, I looked back at it for a moment. Here was the dodgy piece, just kind of laying there, and it just felt unused, and filed with white space (which is something I cannot stand). I had slipped my sharpie marker from writing something next to the canvas, and created a V-shape over Mickey’s head by accident. I immediately drew an uneven crown to leverage against the mistake. I paused and sat back. The silence in my head was deafening. It was then my whole vision tunneled towards the canvas, and I, for the next hour completely went into an artistic blackout.
When I emerged, I saw this strangely structured stream of consciousness piece in front of me. This was beyond anything I’d ever done in the past few years. I was so used to well thought out, perfectly designed structural pieces, that this… was the antithesis of everything I stood for as an artist.
This was not clean, safe, and sound. This was raw, deep, organic, and textural.
The face was the last thing that I worked on, and rather than design a pattern inside like I was used to, I decided to write instead. I wrote this in homage to Paul Festa, the catalyst to all of this really. I will share with you in the next piece why Paul was an instrumental figure into this awakening.
“FEBUARY SEVENTH, TWO THOUSAND AND TWELVE
LOCATION: LOS FELIZ VILLAGE IN LOS ANGELES CALIFORNIA
I just recently came back from Las Vegas in where I had the most peculiar wave of sensation happen. Granted I’m used bouts of synesthesia but this was intense. I’m at the casino at Circus Circus and I get this huge taste of lemon/lime and its so acidic that its almost unreal and I haven’t had anything lemon lime that I suddenly realize that Im not actually tasting it in my tastebuds, but I’m hearing it. All the casino sounds were translating a sense of taste and it was absolutely crazy. I was overcome with the cross sense that I began to wonder if it would ever go away (and it eventually did). As a kid I used to think that these kinds of incidences were bad, but I’ve come to know that things like this are beautiful and rare and that when tasting a sound or smelling a touch or maybe even feeling a temperature to a color. That is a gift. A slap from heaven saying WAKE UP AND SMELL THE SOUND OF COFFE!”