This Ariel and Flounder Dinglehopper original production cel from The Little Mermaid Disney feature film celebrates the discovery these besties share. Looks almost exactly like the limited edition released from this scene.
The art is beautifully framed, which is an additional shipping charge, and is being shipped from Europe, so expect 6-8 weeks for delivery.
About the 1989 classic THE LITTLE MERMAID:
More money and resources were dedicated to The Little Mermaid than any other Disney animated film in decades. Aside from its main animation facility in Glendale, California, Disney opened a satellite feature animation facility during the production of The Little Mermaid in Lake Buena Vista, Florida (near Orlando, Florida), within Disney-MGM Studios Theme Park at Walt Disney World. Opening in 1989, the Disney-MGM facility's first projects were to produce an entire Roger Rabbit cartoon short, Roller Coaster Rabbit, and to contribute ink and paint support to The Little Mermaid. Another first for recent years was the filming of live actors and actresses for motion reference material for the animators, a practice used frequently for many of the Disney animated features produced under Walt Disney's supervision. Sherri Lynn Stoner, a former member of Los Angeles' Groundlings improvisation comedy group, and Joshua Finkel, a Broadway actor, performed key scenes as Ariel and Eric respectively. Jodi Benson had already been cast as Ariel's voice actor by this time, and her recorded dialogue was used as playback to guide these live-action references. Before Benson was cast, Melissa Fahn was considered for the part.
The Little Mermaid's supervising animators included Glen Keane and Mark Henn on Ariel, Duncan Marjoribanks on Sebastian, Andreas Deja on King Triton, and Ruben Aquino on Ursula. Originally, Keane had been asked to work on Ursula, as he had established a reputation for drawing large, powerful figures, such as the bear in The Fox and the Hound (1981) and Professor Ratigan in The Great Mouse Detective (1986). Keane, however, was assigned as one of the two lead artists on the petite Ariel and oversaw the "Part of Your World" musical number. He jokingly stated that his wife looks exactly like Ariel "without the fins." The character's body type and personality were based upon that of Alyssa Milano, then starring on TV's Who's the Boss? and the effect of her hair underwater was based on both footage of Sally Ride when she was in space, and scenes of Stoner in a pool for guidance in animating Ariel's swimming.
The design of the villainous Ursula was based upon drag performer Divine. An additional early inspiration before Divine was Joan Collins in her role as Alexis Carrington in the television show Dynasty, due to a suggestion from Howard Ashman, who was a fan of the series. Pat Carroll was not Clements and Musker's first choice to voice Ursula; the original script had been written with Bea Arthur of the Disney-owned TV series The Golden Girls in mind. After Arthur turned the part down, actresses such as Nancy Marchand, Nancy Wilson, Roseanne, Charlotte Rae, and Elaine Stritch were considered for the part. Stritch was eventually cast as Ursula, but clashed with Howard Ashman's style of music production and was replaced by Carroll. Various actors auditioned for additional roles in the film, including Jim Carrey for the role of Prince Eric, and comedians Bill Maher and Michael Richards for the role of Scuttle.
The underwater setting required the most special effects animation for a Disney animated feature since Fantasia in 1940. Effects animation supervisor Mark Dindal estimated that over a million bubbles were drawn for this film, in addition to the use of other processes such as airbrushing, backlighting, superimposition, and some computer animation. The artistic manpower needed for The Little Mermaid required Disney to farm out most of the underwater bubble effects animation in the film to Pacific Rim Productions, a China-based firm with production facilities in Beijing. An attempt to use Disney's famed multiplane camera for the first time in years for quality "depth" shots failed because the machine was reputedly in dilapidated condition. The multiplane shots were instead photographed at an outside animation camera facility.
The Little Mermaid was the last Disney feature film to use the traditional hand-painted cel method of animation. Disney's next film, The Rescuers Down Under, used a digital method of coloring and combining scanned drawings developed for Disney by Pixar called CAPS/ink & paint (Computer Animation Production System), which would eliminate the need for cels, the multiplane camera, and many of the optical effects used for the last time in The Little Mermaid. A CAPS/ink & paint prototype was used experimentally on a few scenes in The Little Mermaid, and one-shot produced using CAPS/ink & paint—the penultimate shot in the film, of Ariel and Eric's wedding ship sailing away under a rainbow—appears in the finished film. Computer-generated imagery was used to create some of the wrecked ships in the final battle, a staircase behind a shot of Ariel in Eric's castle, and the carriage Eric and Ariel are riding in when she bounces it over a ravine. These objects were animated using 3D wireframe models, which were plotted as line art to cels and painted traditionally.