Home » Store » Charlie Brown and Snoopy Snoopy Come Home Key Master Setup, Original Cel, Background, and Dean Spille Concept Art

Charlie Brown and Snoopy Snoopy Come Home Key Master Setup, Original Cel, Background, and Dean Spille Concept Art

Artwork Dimensions
concept art: 5 x 4 inches key master setup: 24 x 9.5 inches



Shipping Framing

Product Description

For fans of this 1972 classic animated feature, nothing gets better than this Charlie Brown and Snoopy Snoopy Come Home art, which includes the original cel, pan background, and Dean Spille concept art.

You can currently watch Snoopy Come Home on HULU.

Find the moment this key art is from at 7:37 in the cartoon.


In the fifties, Dean Spille began working with Bill Melendez at Playhouse Pictures, a studio created by innovative artists who made up UPA. Peanuts’ television endorsement of the Ford Falcon, created at Playhouse Pictures, was the beginning of a partnership and friendship that lasted a lifetime for Melendez and Spille. After leaving for Spain in 1963, Dean returned to find that Melendez had created his own studio. Spille worked on the first three specials while teaching design at California State College, Long Beach. Later a sabbatical from teaching took Spille to live and work in a small town in the hills of Provence. Working on “Babar the Elephant” and later “Dick Deadeye”, he also continued working on the Peanuts films, while splitting his time between Los Angeles and France.  A definitive move to France was made as an additional project was in the works, the Emmy winning “The Lion, the Witch and the Wardrobe.” Dean Spille was, without question, an integral contributing artist to the success of Bill Melendez Productions, Inc.

Dean’s academic studies began at UCLA where he earned his BA in Cinema, furthering his studies at California State University earning his Master Degree in Fine Art. Dean continued his studies at the Accademia Delle Belle Arte in Florence, Italy and at Kokoshkaschule in Salzburg, Austria. Dean was also a former professor of Art at the California State University, where he taught Graphic Design and Animation. He spent his later years devoting his time to painting, and selling his traditional imagery throughout Europe, where he is renowned and celebrated for both his animation and fine art works. Dean passed away on March 8th, 2021 after living a life filled with joy and art, and bringing both to fans around the world. 


Snoopy Come Home is a 1972 American animated musical comedy-drama film directed by Bill Melendez and written by Charles M. Schulz based on the Peanuts comic strip. The film marks the on-screen debut of Woodstock, who had first appeared in the strip in 1967. It was the only Peanuts film during composer Vince Guaraldi’s lifetime that did not have a score composed by him. Its music was composed by the Sherman Brothers, who composed the music for various Disney films like Mary Poppins (1964), The Jungle Book (1967), and Bedknobs and Broomsticks (1971). The film was released on August 9, 1972 by National General Pictures, produced by Lee Mendelson Films and Cinema Center Films. 

Snoopy speaks

Snoopy Come Home marked the first time Snoopy's thoughts are fully communicated to the audience outside of the comic strip. This was achieved by having his typed correspondences appear at the top of the frame, giving the viewer full access to his thoughts. Previously, Schulz had opted to mute Snoopy entirely, except for inflected squealing and growling. Snoopy's thought balloons, though overt in the strip, are not translated in the animated projects.


Snoopy Come Home was the only Peanuts animated project produced during Vince Guaraldi's lifetime (1928–76) that did not contain a musical score by the noted jazz composer. Guaraldi had composed all the previous Peanuts animated television specials as well as the debut film A Boy Named Charlie Brown. Music for this film was instead provided by the Sherman Brothers, who had composed some of the music used in various Disney films and theme park attractions. Schulz said this was an experiment, as he had wanted to have more of a commercial "Disney" feel to Snoopy, Come Home. "Everybody felt that the first movie had too much the 'feel' of the TV specials," said producer Lee Mendelson in 2011. "We collectively thought that we needed more of a feature film 'look' and score. That's why we went to the Shermans, who at the time were No. 1 in their field for such things."

Schulz later said he had planned on utilizing Guaraldi's services for the third Peanuts feature, Race for Your Life, Charlie Brown, had the composer not died suddenly in February 1976. A soundtrack was released by Columbia Masterworks, but is now out of print.

As of September 2020, the film had a 93% rating on review aggregate website Rotten Tomatoes, based on 14 reviews with an average score of 7.70/10. The New York Times said: "This sprightly, clever and hilarious treat—all that a comic strip could be on the screen—is even better than A Boy Named Charlie Brown, which began the series."