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Catwoman ‘Meow’ #1 Giclee on Paper from Batman #50 signed by Alex Ross

Artwork Dimensions
Image size 17.25 x 22.75 inches
Edition Size
50, with 15 APs, 15 PPs, 15 EPs

$895.00

Available

Shipping Framing

Product Description

ArtInsights has #1 in the edition of the Catwoman limited edition giclee on paper, 'Meow', based on the variant cover of Batman #50, the wedding issue. This is one of the only images created for the issue featuring Catwoman alone.

This piece is framed beautifully and purrrfectly ready to hang on your wall! (shipping costs for this piece will be determined based on your location)

Batman (Volume 3) #50 is an issue of the series Batman (Volume 3) with a cover date of September, 2018. It was published on July 4, 2018.

"To save the world, heroes make sacrifices. That's the lesson of every story. I wish I could give my life, but I can't, I have to give more. My sacrifice is my love. It's you." - Selina Kyle. 

READ ALL ABOUT THIS RELEASE ON OUR BLOG

ABOUT Catwoman:

Catwoman (Selina Kyle) is a character created by Bill Finger and Bob Kane who appears in American comic books published by DC Comics, commonly in association with Batman. Debuting as "the Cat" in Batman #1 (spring 1940), she is one of the Dark Knight's most enduring enemies and belongs to the collective of adversaries that make up his rogues' gallery. However, the character has also been depicted as an anti-heroine and became Batman's best known love interest, with many stories depicting their complex love–hate relationship.
ABOUT Alex Ross:

Alex Ross is one of the leading illustrators in comic art today and the most prolific in his generation. Dubbed "the Norman Rockwell of comics," his realistic, human depictions of classic comic book characters for Marvel and DC Comics have cemented his position in the pantheon of comic book and pop culture art. Ross has won countless awards and had his art displayed in museums and fine art galleries around the world, alongside fellow fine art greats.

Alex Ross has become one of the world's most preeminent and well-respected comic book artists and illustrators. It's a job he's been preparing for nearly all his life.

Born in Portland, Oregon, and raised in Lubbock, Texas, Alex made his artistic debut at three when, according to his mother, he grabbed a piece of paper and drew the contents of a television commercial he'd seen moments before. By age 13 he was scripting and drawing original comic books. Ten years later? He was hired by Marvel Comics to illustrate Marvel's central characters in the comic book event, Marvels (1994).

Having established himself creatively and financially with superhero projects, Ross turned to the real world with Uncle Sam, a 96-page story that took a hard look at the dark side of American history. Like Marvels, the individual issues of Uncle Sam were collected into a single volume - first in hardcover, then in paperback - and remain in print today. Ross would eventually go on to win the Comic Buyer's Guide Award for Favorite Painter. He won so many times that the award was officially retired.

Alex's work has celebrated the 60th anniversaries of Superman, Batman, Captain Marvel and Wonder Woman with fully painted, tabloid-sized books, depicting each of these characters using their powers to inspire humanity as well as help them.

In recent years, Ross has applied his artistic skills to outside projects with comic book roots, including a limited-edition promotional poster for the Academy Awards. In 2015, Alex was chosen by Apple Corps LTD to be commissioned as the first artist in over 30 years to paint the Fab Four. Driven by the Beatles legendary music and inspired by the generation's new trends in art, "Yellow Submarine" is a classic of animated cinema. Alex has often been referred to as 'the Norman Rockwell of comics' yet his "Yellow Submarine" piece reveals the similarly powerful influence of master surrealist Salvador Dali, whom Alex has also recognized as a guiding influence on his style.

Forty years ago, Spider-Man learned that with great power comes great responsibility. Looking at Alex Ross, it's obvious the lesson took.