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Atlantis Kida Rising Original Production Color Concept Art by John Alvin

SKU
AI-7510
Medium
Original Mixed Media
Artwork Dimensions
12 x 9.5

$2,900.00

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Product Description

Atlantis Kida Rising Original Production Color Concept Art by John Alvin work created in the process of the Atlantis movie promotion and poster campaign.

Atlantis: The Lost Empire is a 2001 American animated film created by Walt Disney Feature Animation—the first science fiction film in the Animated Canon and the 41st overall. Written by Tab Murphy, directed by Gary Trousdale and Kirk Wise, and produced byDon Hahn, the film features an ensemble cast with the voices ofMichael J. Fox, Cree Summer, James Garner, Leonard Nimoy, Don Novello, and Jim Varney in his final role before his death. Set in 1914, the film tells the story of a young man who gains possession of a sacred book, which he believes will guide him and a crew of adventurers to the lost city of Atlantis.

Many centuries ago, an accidental weapons discharge would cause a titanic tsunami that threatens to destroy the capital city of Atlantis. The giant crystal that powers the city, known as the Heart of Atlantis, calls upon the Queen and pulls her up so that they would be bonded in order to save the city. Her young daughter, Kidagakash, watches in tears before her father, King Kashekim Nedakh, covers her eyes. The power of the crystal creates a protective barrier around the center of the city, keeping it from being destroyed by the tsunami. However, it also results in the city being buried beneath the subsiding waters.

"Creating the promise of a great experience" is how John Alvin described his role as the preeminent designer and illustrator of cinema art in the entertainment industry.  In a business where you are only as good as your last job, Alvin was diverse enough in style and creative invention to be one of the ultimate go-to artist for movie posters in Hollywood for over two decades.  He designed and illustrated some of the world's most widely recognizable movie art.   From E.T. to Blade Runner, to Blazing Saddles and The Lion King, John Alvin is responsible for many of your favorite movie campaign images...

Alvin's first official movie art campaign was the poster for Blazing Saddles, directed by Mel Brooks, in 1974. Alvin, who was working as an animator at an animation studio at the time, was invited to work on the Blazing Saddles poster by a friend. Alvin took an unusual path when designing the movie poster. He designed a serious movie poster, which incorporated unusual and quirky elements from the film. For example, in the poster, Alvin depicted Mel Brooks, who plays a Yiddish-speaking Native American chief in the film, wearing a headdress inscribed with the phrase, Kosher for Passover. The joke had been suggested by Alvin's wife, Andrea.

Alvin's work on Blazing Saddles was liked by Mel Brooks, as well as by others in the industry. He went on to work on a number of Brooks' later films, including Young Frankenstein, which was also released in 1974.

Another of Alvin's iconic posters was his work for Steven Spielberg's 1982 film, E.T. the Extra-Terrestrial. It showed E.T.'s finger touching the finger of his human friend, Elliott, finger tip to finger tip.[1] The fingers create a glow where they touch. The idea for the poster was reportedly suggested by Spielberg, and was inspired by Michelangelo's painting, The Creation of Adam. Alvin used his daughter as the human hand model for the poster.

Alvin created artwork for more than 135 film campaigns over the span of three decades. His work for such film studios as New Line Cinema, Warner Bros. Entertainment, Disney Studios and Lucasfilm Ltd., included Blade RunnerCocoonThe Lost BoysPredatorThe Princess BrideGremlinsThe GooniesThe Lion KingBeauty and the BeastBatman ReturnsBatman Forever, and Jurassic Park. He also created the anniversary posters and other artwork for the 30th anniversary Star Wars Celebration. In later years he created posters for Peter Jackson's Lord of the Rings trilogy, the Harry Potter film series and Walt Disney's Pirates of the Caribbean films. According to John Sabel, an advertising executive at Walt Disney Pictures who often worked with Alvin, "There was a reason why The Lion King did the numbers that it did... There was a reason why 'Hunchback [of Notre Dame]' became a big success. It's because of the images that were produced, and a lot of those were John Alvin's paintings."